V/A :: Wave Function (Ground State)
Ground State announces surprise compilation to celebrate Igloo Magazine and support the Electronic Music Community. (Press Release)
Ground State announces surprise compilation to celebrate Igloo Magazine and support the Electronic Music Community. (Press Release)
It is this brevity and the exquisite song crafting therein which I believe has kept Atol Scrap head and shoulders above the fray and forgotten […]
Oversteps is an absolute triumph for Ae, taking a brave new direction that will undoubtedly create new fans and win back those who lost their way post Confield, whilst simultaneously pleasing the majority of their existing fan-base. Quite an achievement.
Highlighting hundreds of releases in 2024 (and allowing December to set in), we’ve compiled a list of our favorites along with links to their corresponding Igloo reviews and release pages. Since the lists are arranged alphabetically by artist—and a snapshot of tracks are featured in our Soundcloud playlist along with selected Bandcamp tracks and random artwork selections—there are, as usual, no winners or runners-up.
Ultimately, my blurry left eye is saturated with color, and also veers off course with braindance and heavier industrial mechanics (“crash-70557”) that effectively highlights Jon Bender’s wide sonic reach.
All I can find to explain what is here are endless crime dramas, particularly those that emphasize cynical attitudes and motivations, a dark noir album filled with harmonic textures and creeping reverbs.
These gentle, brief, and succinct soundscapes are resonant and melodious as they drift and cascade, enabling Mantle of Gets to deliver a relaxing piano-focused album that simply soothes the senses.
Images Sur La Mer is a two-part soundtrack dronescape that ebbs and flows into surreal textures, tones, and muted abstracts over the course of more than forty sparkling minutes.
Erratic yet unusually serene, offering a glimpse into a kaleidoscope of off-kilter synth sketches, rough IDM underpinnings, and sprinkling mellifluous tones around the margins.
It is, indeed, a record featuring collaborators from all around the world, from jazz musicians, to classical, to spoken poetry, there is a lot to explore, with each track also being an enjoyable experience—it’s not just variety for the sake of it, there’s a lot of effort everywhere here!
What is the difference between abandoned and forsaken? Dark tension, pounding under sustained horror and tension. This goes on forever. We are tourists here, and can go at any time. Peering into the darkness, we linger.
The atmosphere herein simply spills over non-existent—perhaps even floating—boundaries with a surplus of instrumental virtuosity, roughened textures, and vaporous brittle tones that time shift and alter before our own eyes.