Serge Geyzel’s So I Leave delivers a hard-hitting mix of dark breaks, deep bass, glitch, acid, and experimental energy across three tightly focused tracks.
Tag: Bass
SUAHN :: Distort Everything Forever (Self Released)
Distort Everything Forever opens in ambience, spends most of its middle throwing rhythmic and low frequency chaos at you, then returns toward atmosphere at the end.
Strugatsky Brothers :: Window To Askoy (Zoku – Zoku)
Everything about the sound design and palette of Window To Askoy seems suspended in the heat of summer rains and tropical smog. Yet it’s the soulful element that’s paramount: an exquisite melancholy and blessed-out bliss shape the ventricles and vessels of these lean cuts.
Chit Chat with Ben Stokes of Dimensional Holofonic Sound
A veteran of groundbreaking music-video and visual collaborations, Ben Stokes puts his most personal stamp on Dimensional Holophonic Sound (DHS), his singular project blending acid electronics, old-school analog imagery, and experimental video production. Simultaneously, Stokes has built a distinctive career at the intersection of sound, art, technology, and visuals.
IXRQ :: Form & Fashion EP (SEQ:RUN)
For fans of CPU, Carl Finlow and electro’s wider continuum, IXRQ’s command of the language will be immediately apparent. But this isn’t simply reverence for what has been. These are familiar components arranged with enough curiosity to remind us that electro’s future has never been about inventing the machine. It’s about continuing to find new things for it to say.
Dimensional Holofonic Sound :: Concept Record (Self Released)
Concept Record not only works as a creative tool; it demonstrates what can be created when Professor Ben’s instruction is heeded. The concept is to use this record alongside other records to make new records, while providing a legitimate D.H.S. album of its own right—one that embraces the features that help make physical records so fun and appealing.
Ruxpin :: Anemoia (Touched Music)
Most ingredients are well known, but it’s the ingenuity with which they are married into one homogenous alloy that makes Anemoia not simply a standout IDM piece in terms of production proficiency and storytelling, but an important milestone in the history of modern electronic music in general and, for me, a present and future classic.
Beatrice M. :: Sinking (Tectonic)
Rather than relying on brute force, Beatrice M. favors restraint, allowing space, texture and movement to do the heavy lifting. The result is a sophisticated, deeply atmospheric debut that confirms her as a compelling new voice within Bristol’s ever-evolving bass continuum.
ΠΕΡΑ ΣΤΑ ΟΡΗ :: Oddling Weather Forecast EP (Self Released)
Always willing to push miles ahead into abstract electronic substructures while reaching back for acid, rave, jungle, breaks, and ultra-low-end vibrations, this is music whose physical impact feels every bit as potent now as it might have in the mid-90s.
Myoptik :: Ectospasm (Zoku – Zoku)
From noise to nice. Harsh to honed. Squelch to sculpture. Ectospasm is a 10/10 top-tier proposition for anyone still prepared to leave the comfort of the known and go poking around in whatever is moving about underneath it.
pray4Manta :: LIMEN EP (Self Released) — [concise]
Occupying a threshold between rugged electro forms and industrial glitch polish, LIMEN exists seemingly light-years beyond conventional notions of time and space.
Recent Posts
V/A :: ZEROFOUR EP (Black Shapes)
Steb Sly :: The Galaxy Projector (Self Released)
Ignatius :: Noxi Melank (Evel)
Social Sport :: Economy of Movement EP (Steeplejack)
Zachary Gray :: Trippin’ (A Person Disguised as People)
Mathias Villard :: Past Radiance (Affin)
![[2View] Maps and Diagrams’ beneath still stars (handstitched*) & returning light (Home Normal)](https://igloomag.com/wp/wp-content/uploads/2026/10/maps-and-diagrams-returning-light-beneath-still-stars_feat-75x75.jpg)
[2View] Maps and Diagrams’ beneath still stars (handstitched*) & returning light (Home Normal)
Elika Ostrov :: God Is Everything You Are Not (Fort Evil Fruit)
