EPROM’s Memory Rites distills his unmistakable approach to sound design into an accessible new plugin format, giving producers a direct entry point into one of electronic music’s most influential sonic worlds.
Tag: Synthesizer
Entidad Animada :: Pequeño clima doméstico (Umor Rex)
Pequeño clima doméstico is radically atmospheric: it blends equally well with the sounds of traffic or chirping birds, with a slow Sunday morning with a book or with the Monday after sending emails while working from home, and is sure to improve any of these moments in a humble but powerful way.
James Bernard :: In A Small Room, Decades Ago (Past Inside The Present)
In A Small Room, Decades Ago sounds like a return to the exact point where ambient ceased to be background and became consciousness. A warm, immersive, necessary record, engraved with the care of one who knows that certain machines, when listened to with love, still preserve the heartbeat of those who first switched them on.
In Rotation :: The May–July 2026 Dispatch
In Rotation across the past several weeks and months, this multi-view column surveys a shifting electronic landscape shaped by bold and forward-thinking artists. Expect fractured rhythms, glitch aesthetics, abstract experimentation, mechanical precision, industrial pressure, melodic detours, and bass-heavy electro transmissions from Alavux, Annie Hall, Delta Division, Koloah, Low Battery Orchestra, Modul, neuroboy, Nocto, R.I.O.T, Trofusin, and Voltaire.
Josh Mason :: Kicking A Dark Horse (greyfade)
These releases are not merely containers for music. They are thoughtfully conceived artistic objects that extend, deepen, and enrich the listening experience. They are works meant to be lived with, revisited, displayed, and cherished. Josh Mason’s Kicking A Dark Horse, the third installment in the label’s FOLIO format, may be the clearest realization yet of that philosophy.
Snowbeasts & Solypsis :: The Portent (Component)
For The Portent, Snowbeasts (Robert Galbraith and Elizabeth Virosa) drive punishing beats and low-end pressure, while Virosa’s drifting vocal lines remain suspended throughout. In contrast, James Miller’s Solypsis continually splinters structure, reshaping corrupted rhythms into unpredictable forms.
Danalogue :: Teleportations (Castles In Space)
From bubbling synths to irresistible basslines, Teleportations makes every stop on its cosmic journey worth visiting.
Job Karma :: Tschernobyl Vinyl Re-Release (Rope Worm)
Tschernobyl serves as an immersive depiction of such a wasteland and as a medium to cement the band’s feelings regarding the catastrophe. Both the music and the various vocal samples scattered throughout feel incredibly apt for painting images in the listener’s head; a sense of melancholy is sometimes present, while at other times the tracks become rougher and much more industrially influenced.
Empusae & Maris Anguis :: Onryōtan (Cryo Chamber)
Empusae and Maris Anguis have crafted a fantastic album that rewards repeated listening and offers a welcome step toward a more spiritual and cultural focus for their label Cryo Chamber.
Bluetech :: Petite Constellations (DiN / Behind The Sky Music)
Petites Constellations develops shifting and subtle soundscapes with a retro-ish feeling, emerging from analog keyboards and vintage electronic equipment. However, it also stands as a thoroughly modern album, filled with kinetic grooves and bold compositional ingredients.
DaFou :: Berlin Transit (Cyclical Dreams)
DaFou’s new release on Buenos Aeros’ Cyclical Dreams arrives under the title Berlin Transit, and the Berlin nod is more than cosmetic—it signals a clear pull toward a Schulzian mode of expression. What unfolds across more than 100 minutes is a sustained act of musical articulation, rooted in a tightly wound compression of intention from the outset.
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