Experimental Electronic Music
The duo flex melodic fibers and braindance shards over a wide spectrum with funky beats, synaptic pulses, and fluttering synths. Their capacity to produce squelchy, nearly lifelike shapes is equally susceptible to deformation in the form of elastic vibrations
“Qu4drilogy is a concept work for four albums by Frank Riggio iggio. The concept is fully finished with the additional album Versions / Outtakes—released exactly one year after the first part was published.”
On Alive In Wonderland, Dalham (aka Suffolk countryside-based and London-residing Jon Michaelides) shifts slightly from his prior style of gauzy sound spheres and broken beats to slow motion, BOC-infused psychedelic semi-electro shapes.
Scarper takes a high-octane approach to his already accelerated exp-electronics trajectory.
Here Yeh reaches out to touch the synthesizer, approaches it as a kind of ancestral relic for those of us who have succumbed to the love of these machines. Here it is fetishized, stroked, recorded with reverence, only later to be dissected, spliced, and decomposed into its own archival document.
13 is a fun experience. There’s a lot of danceable moments—but also a lot of more intricate explorations of techno, industrial, and electro with only six tracks to offer. The record manages to find a great balance between these genres, leaving you with some really memorable and catchy tunes, while also punching hard when it wants to.
Surrounded by good friends contributing their own interpretations—including Abdicant, Access To Arasaka, Valance Drakes, Jérôme Chassagnard, Unterm Rad, Asshole Galaxy, Abdicant, Weldroid, Grosso Gadgetto, and Mitoma—”Альбатрос” turns into an avalanche of sonic detritus.
Transporting us back to the early aughts where Toytronic, Art-Tek, Neo Ouija, and Pause_2 labels launched melodic experimental electronic transmissions during the height of IDM; Low Communication glides somewhere between then and now.
