Experimental Electronic Music
Released by 13/Silentes in a double limited vinyl edition, An Apple a Day You Die Anyway confirms the quality of a catalog that continues to intercept the most sensitive areas of Italian ambient and electronic research. And it confirms that Up To 23, now a trio, possesses a recognizable voice, capable of holding together vision and rigor, emotion and structure, darkness and momentum.
A return forged in fire, Where Light Pauses in the Silence of the Sun transforms memory into a weighty, luminous architecture of sound that feels both inevitable and enduring.
In Retrospect possesses a strength that exceeds the format of the celebratory compilation. It is a work of reordering and, at the same time, of renewal, a point of concentration from which the music of f5point6 emerges clearer, more self aware, more profound.
An experience that trains the ear for duration, for the quality of detail, for the value of waiting. In its harshest ground, On Brutal Soil, We Grow leaves a clear mark: proof that fragility, handled with precision, can become structure.
In this deep-dive Q&A, Mike Cadoo’s Dryft project returns with Particle, drifting between tension and release to craft a kinetic landscape where motion, ruin, and raw honesty collide in sound. Original interview in Italian, published on SoWhat — a renowned blog exploring boundary-pushing music.
With its long-awaited vinyl release via Soft Echoes, In a Few Places Along the River by Abul Mogard emerges as a work of immersive duration and sculpted resonance, where sound unfolds as a patient architecture of depth, silence, and inner attention.
AES DANA, the electronic alias of Vincent Villuis, crafts immersive, listening-driven soundscapes where precision, patience, and subtle detail transform every frequency into memory, with Perimeters—now remastered for 2025—standing as a masterful testament to his cinematic, contemplative vision.
At the intersection of architecture and sound, Paolo Dellapiana explores how space, light, and material become instruments, composing experiences as meticulously as buildings themselves.
From Jersey City, Slam Mode opens a quiet side door in its own history with Amorphous, an ambient work of suspension and patience where groove dissolves into texture, ritual thins into echo, and listening becomes an art of staying rather than arriving.
Replicant Memories unfolds as a single, immersive chamber where time thickens into feeling—four long, patient movements of drones, voices, and disciplined rhythm that reward surrender, recalling the era when electronic music asked you not to skim experience, but to dwell inside it.
After a quiet pause, See Blue Audio returns with a ritual-like gesture, entrusting its sixtieth release to Cartography of Sleep—a long-distance collaboration patiently assembled through file exchanges, where Droning Cats and NRV map sleep as a drifting terrain of drone, nuance, and attentive listening.
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