Experimental Electronic Music
The original remains the gravitational center, its melancholic beauty providing the connective tissue between these contrasting approaches. Four perspectives, one expansive vision, and enough rhythmic invention to keep the whole thing moving. All quite delicious.
With DUB da Beat, a self-released four-track EP available through Bandcamp, Walker returns to a sound that feels both deeply rooted in his history and wonderfully untouched by time. Massive basslines rumble beneath a haze of dubwise echoes, warped acid squelches, and fractured rhythms, creating a woozy, late-night atmosphere that rewards sinking into rather than simply listening to.
Capturing his intuitive approach to electronica—minimalist, warm, playful (Ljud-ic?!) and obliquely house-informed, like its precursor, Ljud is a timeless work driven by repetition and microvariation, happy accident and spontaneity, the casuality and vibrancy of its spirit tangible throughout.
Morning Glories is strongest when it allows this material to breathe without forcing it towards the sublime. bvdub knows his own vocabulary extremely well and at times exposes it to its limits. The more accessible melodic openings give the album a different kind of light, occasionally close to a pop sensibility, always absorbed within durations and structures that belong to another logic.
The Consumers Research and Development Label is clearly not trying to be one thing, and that’s the most encouraging part of this reintroduction. A techno veteran finally putting out his own record after twenty years of platforming everyone else, sitting right next to a hip-hop travelogue built out of literal years of instability and constant movement, that’s a genuinely odd pairing on paper, and it works precisely because neither release is compromising to fit next to the other. They just happen to share a home.
Distort Everything Forever opens in ambience, spends most of its middle throwing rhythmic and low frequency chaos at you, then returns toward atmosphere at the end.
Everything about the sound design and palette of Window To Askoy seems suspended in the heat of summer rains and tropical smog. Yet it’s the soulful element that’s paramount: an exquisite melancholy and blessed-out bliss shape the ventricles and vessels of these lean cuts.
The Bug’s Ladybug 2 pairs his heavy, hypnotic bass pressure with Friday Night Plans’ hushed vocals, turning six versions of “Miss U” into a dark, immersive journey where dub, shoegaze, and electronic melancholy slowly dissolve into one hypnotic flow.
A veteran of groundbreaking music-video and visual collaborations, Ben Stokes puts his most personal stamp on Dimensional Holophonic Sound (DHS), his singular project blending acid electronics, old-school analog imagery, and experimental video production. Simultaneously, Stokes has built a distinctive career at the intersection of sound, art, technology, and visuals.
Leo’s latest six-track EP, Cicada Burnt, is a stunningly crafted collection of teknoid soundscapes where cutting-edge pulses scatter love bullets of intent with serious depth, weight and imagination.
Rather than relying on brute force, Beatrice M. favors restraint, allowing space, texture and movement to do the heavy lifting. The result is a sophisticated, deeply atmospheric debut that confirms her as a compelling new voice within Bristol’s ever-evolving bass continuum.
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