Experimental Electronic Music
Mechanical soundscapes surge through Interlinked, a five-piece set by Dragon that offers little in liner note detail, channeling attention instead toward exacting design, brittle glitch-industrial grit, and rhythmic frameworks that pivot and pulse across layered, chiseled beats.
Thresholds is an album that stays with you. It subtly alters the way you listen. It opens a door into a liminal space where sound becomes memory, and memory becomes atmosphere. In doing so, Andrew Anderson has created a work that is both deeply personal and universally evocative, a rare and rewarding listening experience.
This new project follows a stylistic inclination inspired by primordial resonances and natural manifestations from peripheral zones deserted by humanity.
This assemblage travels across broad terrain yet retains cohesion, even with slightly uneven edges, resulting in a record that ultimately mirrors its own namesake.
Late 2025 marked the arrival of Plateau, introduced as an EP surging across six abstract, timbre-rich sound sculptures. A few months on, a set of bonus treats emerges—four new pieces extending that journey along a brisk, polished braindance continuum.
Sonnailles moves from restraint into release, but never fully lets go. It maintains the precision associated with Raster while leaning more into physicality and motion. The influence of rhythm and movement is more present, but still abstracted, never fully resolving into something predictable.
Empty Halls is a longer meditation, generating a haunting atmosphere that invites the listener to become lost inside its unfolding darkness. In this way, it can also provide peace and comfort in the darkness of wintertime.
Moho Abyss is quite distant from Bianchi’s recent classics in darkly meditative, blurred-out melodic ambient, and instead targets its sound exploration toward spectrality, blooming cybernetic resonances, and hypno-ish synthesized pulses.
Taken together, Tomoroh Morning – A Tribute to Tomoroh Hidari stands as a vivid document—one that reflects each contributor’s voice while honoring an artist who cultivated wide connections yet kept creative paths distinct. As noted in accompanying liner notes: “There will always be a tomorrow morning.”
NOSTOI reveals Luca Bevacqua as an artist less concerned with composition in the traditional sense than with the shaping of the listening experience. The album aggressively resists passive listening; it asks to be inhabited, endured, even wrestled with. Host and parasite marry.
Teichopsia is a dense, interactive array of drifting electronic environments—machinery humming somewhere above the atmosphere, signals circling endlessly through cold orbital nights. An unyielding ambient-industrial smorgasbord not to be missed.
![Dragon :: Interlinked EP (Ryu) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/04/dragon-interlinked_feat-75x75.jpg)
