Even as the music voyages across the celestial empyrean of space, he opens up new territory, diving downwards into the underworld where the mysteries of Orpheus (poet, musician, prophet) are encountered in their cavernous depths. Here the Orphic lyre is a synthesizer. Here it is a collection of psychotronic modules who route electricity to the point where it tingles with lucid scintillation. This is a third ear music awakening the inner senses to subtle vibrations.
Author: Justin Patrick Moore
Black Brunswicker :: Dreams of a Sunflower River (Nettwerk)
The songs flow right into each other and are only composed of what seems to be a few layers each, but there is a fond fuzziness to them, that glistens like the light reflected off the water. There is a slight melancholy tinge to the music, but it’s not overpowering.
Pan•American :: Fly the Ocean in a Silver Plane (Kranky)
Fly the ocean on this silver plane of an album. It’s a smooth flight full of gentle transitions, giving a contemplative view of the larger landscape of our lives.
The Heartwood Institute :: Plague Dogs (Folk Police Recordings)
Much music is steeped in the history of the place where it was made, and here Jonathan Sharp, the musician behind this project, trawls the borderlands of fiction, imagination, and the real places written about in the Plague Dogs where he went to collect sounds for the album.
Everyday Dust :: Assemblance X Sessions (Dustopian Frequencies)
The sounds here are not just the contemporary musique concrète we’ve all come to know and love from Everyday Dust, but musique métaphysique. It’s earthy, its rooted, its physical powerful when blaring through the headphones or speakers and subwoofer, but it contains the ever necessary particles of dust that transport me to the otherworld every time I listen to music from this artist.
Sound Signatures :: Crafting your electronic music identity — by Nick Feldman (Routledge)
By providing a slew of tips for the creative use of the tools, and by really diving into all that is on offer here, the person who uses this book is going to give back new imaginative music electronic music community, just as Feldman shares the knowledge. Put the work in, and have fun while you craft your own sound signature, the sound of your musical imagination, that uses the tools to realize the composition you first heard in your mind and soul. This alone will be what sets you apart from the clones.
Trem 77 :: Reflective (Grape Mod)
Released on May Day 2026, at the halfway point between the spring equinox and the summer solstice, Reflective is a reminder of the potential of our international connections and the world we share. Where do we want to go with what is ahead?
Euan Alexander Millar-McMeeken :: Soundtracking the quiet years
Euan grew up in a mostly quiet, non-musical household where records were scarce and music lived mainly in car rides soundtracked by Fleetwood Mac and Whitney Houston—until a childhood Walkman and Lionel Richie cassette sparked a lifelong, deeply personal connection to sound.
Hollie Kenniff :: For Those Who Stay (Nettwerk)
For Those Who Stay has an extremely meditative sound. Languid sustained tones, whispers of guitar, the humming hush of a quiet vocal wordless breath, murmurs of restrained piano, each song flowing into another like each breath in and out breath flows into another during meditation.
Bette A. and Brian Eno :: Slow Stories: A Collaboration of Storytelling, Music, and Art (Unnamed Press)
Where story, sound, and image meet at an unhurried pace, Slow Stories feels like a quiet return to the ancient art of remembering.
Shane Parish :: Autechre Guitar (Palilalia)
Gratitude feels like the right place to begin—because without a chance introduction decades ago, this remarkable record might never have found its way into the world.










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