Experimental Electronic Music
Svanire is a delicate atmospheric album, a quite recommended experience for those who cultivate this taste of Zen in their own existence; a musical window to restore the soul with delicate harmonies. Sound therapy of bitter sweet melancholia to enlighten the heart.
MÖRK—which means darkness in Swedish—is a vertiginous and spiritually enthralling dive in deep bass cello tones, minimally improvised guitar sequences, long sweeping electronic sounds, and hypnotic loops.
Both records express what has been built up to in previous outings from these artists, and they may as well be the culmination for both for now; unless there’s even more coming out this year, at which point I’d have to see which way the wind will be blowing in future releases.
The result is captivating, thoughtful, emotive, strange, and navigating through cerebral sound waves, smooth atmospherics, moody-esque sculpted improvisations to radical rhythmically-orientated and almost glitch-like experimentations.
Welcomed by the superb quiet details label—responsible for classics in sculpted minimalist and lush dronescapes—Weeds is an other captivating, perfectly executed, and subtly moving, serene, granular sound experience for day-dreaming and serious meditative inner levitations affected by lonesome souls.
Tineidae is the moniker of Pavlo Storonsky, a sound producer whose style embraces cinematic textures, synth waving pads, and hypnotic-electro grooves, often immersed in dystopian sci-fi territories for the emotional and aesthetic inclination.
Belong’s return with Realistix IX is quite a success. They improve significantly on where they had left off and also make use of their noisy aesthetics, combining the two into a satisfying sonic collection.
Built over long soundscapes, noisy field recordings and hypnotizing harmonic clusters, Aqua Obscura completely takes over our attention, swimming on a magical journey that directly touches our inner consciousness.
