Experimental Electronic Music
In Bernhard Living’s works, there’s almost always a straightforward title to express the context behind each one, and there is always a description paired with the record to fully elaborate on its concept. That ends up making music as minimalistic as this far more interesting to me.
Kin is a record that offers hazy soundscapes, with layers of noise stacked on top of serene melodies, making it almost seem like a series of distant tunes you can’t quite recall. There’s a faint melancholy woven through it, sure—but that’s not what keeps pulling me back. What really hooks me are the songs themselves; track by track, they’re just exceptional.
A confident follow-up that leans heavier and more varied, Blumenfantasie doesn’t quite surpass Anemones but firmly proves Xylitol is still worth your attention.
Alavux’s Underground Is Resistance is a relentless, low-end assault that trades melody for sheer industrial force, pushing electro foundations into overwhelming, club-crushing extremes.
A finely crafted blend of dusty breakbeats, acid lines, and modern atmospheres, Ranidae sees BufoBufo deliver a sharply produced and deeply memorable take on breakbeat–IDM fusion.
Blending prog electronic tension, restrained club energy, and immersive urban atmospheres, Sinemis’s Farewell is less about moving bodies than about pulling the listener deeper into its futuristic inner world.
Bernhard Living’s Unanswered Questions continues his tradition of sparse, minimalist electronic compositions inspired by 20th-century composers—this time focusing on the conceptual and structural ideas behind works by Charles Ives. Each of the four tracks offers a thoughtful reinterpretation, distilling Ives’ complexity into ambient soundscapes that blend philosophical depth with musical restraint.
To celebrate a decade of forward-thinking electronic music, Shaw Cuts presents 10 Years of Shaw Cuts—a compilation that highlights the label’s signature blend of heavy rhythms and deep atmospheres. Featuring a wide range of contributors, it offers a sharp snapshot of the label’s evolution and what it does best, whether you’re a longtime fan or a curious newcomer.
After the success of Séptimo Sentido in 2024, I was eager to hear what Seph would deliver next. His latest release, Fiera, arrived sooner than expected—but rather than presenting a new creative direction, it offers a glimpse into earlier material from his vault. Naturally, I was curious to see how this project would compare.
What makes Second so effective is the trio’s experience. Vitiello, Canty, and Rowe each bring something refined and practiced to the table. The record is skillfully composed and beautifully produced, making it no surprise that it’s also deeply satisfying.
On Friday July 18th, I had the chance to see Kraftwerk live in Lajatico, Tuscany—a rare Italian stop on their European tour, and one of the most surreal concert settings imaginable. Performed at Andrea Bocelli’s hilltop Teatro del Silenzio, the show blended stunning visuals, razor-sharp sound, and decades of electronic music legacy into an unforgettable night.
