Experimental Electronic Music
Multitasking has ruined listening to albums at home in the woods. But this album can restore that experience. It is just as good to listen to in complete darkness, late at night, as an episode of Over the Edge. I hope to experience further instrumental excursions from the band, now that they have decided to shut up and play their instruments.
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide spectrum of sound (and vision). This week The Psychedelic Furs, Omni Trio, Toasty, and Isaac Hayes on the Maine turnpike.
Through our shows, interviews and mixes, we’ve tried to present electronics with a difference, electronics that make a difference. To the snowy peaks of Canada with Solvent, to the dusty plains of Almería with Mynationshit, our objective is giving a greater audience to what is already great. This month is no exception.
Twenty years in the making, Lapsus celebrate with this really neat compilation of slick IDM. Not always do various artists compilations have much reason behind them, but they’re always more appreciated than “best hits” or “singles” compilations; VINT, in particular, happens to also have thought behind it, as it’s not just a series of random tracks put together.
Deborah Martin & Cheryl Gallagher’s hope is that these musical impressions will take you, the listener, on the same imaginative and magical journey to Tibet that they experienced.
Brought to you by Whited Sepulchre Records and presenting sponsors CULT and Durham Studios, Talk Low is a four day music festival creating unique contexts for deep listening from artists from all over the world and a variety of musical styles ranging from ambient, experimental, avant-garde jazz and indie rock and house.
Our celebration, a devil-may-care romp in the aural delights of the machines, opens with some recent beauts from Gated before dipping into acid, breakbeat, electro and techno with records from Amenthia, Betonkust, Gated Recordings, Klasse Wrecks and heaps more.
Radio and musique concrète go together like bread and butter. As a medium, radio is the perfect platform for playing tape that has been spliced, diced, smothered, covered, layered, reordered, disordered, composed, decomposed and recomposed. That’s what has happened here with a new version of a mid-sixties John Cage composition, Rozart Mix.
