Atmospheric post-rock guitar and drumming that teeters between jazz and rock combine to form a record that sounds exactly like you would imagine the two to sound like when put together, with good chemistry to make it all work as well as it does.
Author: Benci
V/A :: VINT (Lapsus)
Twenty years in the making, Lapsus celebrate with this really neat compilation of slick IDM. Not always do various artists compilations have much reason behind them, but they’re always more appreciated than “best hits” or “singles” compilations; VINT, in particular, happens to also have thought behind it, as it’s not just a series of random tracks put together.
2View — f5point6 :: A Random Sequence of Events & Rhombus Index :: hycean (See Blue Audio)
Both records express what has been built up to in previous outings from these artists, and they may as well be the culmination for both for now; unless there’s even more coming out this year, at which point I’d have to see which way the wind will be blowing in future releases.
Farron :: Feal (Shaw Cuts)
If you’re in the mood for good modern IDM, Feal has got plenty. More specifically, if you want to put on a record and be sure it offers something valuable from start to finish, Feal has also got plenty of that. If you want a good amount of variety, Feal is where you should be headed.
Bernhard Living :: From Here to There (Self Released)
One of the many experimental three-track records from Bernhard Living, From Here to There is yet another exploration of tonality and thought.
Relativity Lounge :: zero-sum EP (Satellite Trax)
Everything about this zero-sum EP radiates talent, from the grooves, to the effortlessness of the transitions, to the bangers, it’s really impressive.
Ocoeur :: Breath (n5MD)
Breath shines both as an ambient record and as a blend of both ambient and classical, not solely because of the instrumentation utilized, but also because of these really big powerful climaxes that make up for the record’s most engaging moments.
Konerytmi :: 13 EP (Snork Enterprises)
13 is a fun experience. There’s a lot of danceable moments—but also a lot of more intricate explorations of techno, industrial, and electro with only six tracks to offer. The record manages to find a great balance between these genres, leaving you with some really memorable and catchy tunes, while also punching hard when it wants to.
Keith Seatman :: A Skip and a Song to See Us Along (K.S.Audio)
There’s a feel of controlled randomness in this LP, and it helps maintain its erratic feel overall, as music like this sounds so quirky to […]
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