Lo Recordings’ reissue of Susumu Yokota’s Laputa resurrects a long-mythic masterpiece of Japanese electronic music—an uncompromising, genre-dissolving vision that drifts from ambient and electro-acoustic collage to jazz-inflected and ritualistic sound worlds with breathtaking imagination.
Author: Philippe Blache
Substak :: Abrasive Deluge (ECHØVEIL)
Substak returns with Abrasive Deluge, a stark and immersive dive into eroded ambient textures and haunted sonic debris.
RhaD :: Ghost Music Library (Unexplained Sounds Group)
With RhaD, Raffaele Pezzella fractures memory and signal into a dense, hallucinatory archive where lost transmissions feel disturbingly alive.
Philippe Petit :: The Acoustic Cornet, an hommage to Leonora Carrington (Mahorka)
After first encountering Philippe Petit through The Haunting Triptych (2010), The Acoustic Cornet—released by Mahorka as a tribute to Leonora Carrington—emerges as a radical electro-acoustic work of abstract, collage-driven experimentation that fuses manipulated objects, elastic electronics, and avant-garde improvisation into a richly unpredictable sonic experience.
Danya Pilchen & Kali Ensemble :: Paper Braids (Moving Furniture)
A slow-burning meditation on the inner life of sound, Paper Braids unfolds as a meticulous exploration of space, microtonal nuance, and the fragile poetry of sustained tone.
NIMH :: Nine Years of Decadence (Fluttering Dragon)
Emerging from late-’90s Rome, NIMH—the long-running project of Giuseppe Verticchio—returns with a brooding, stylistically evolved ambient work with Nine Years of Decadence that drifts from ethno-spiritual roots into bleak, isolationist soundscapes steeped in tension, melancholy, and cinematic depth.
Antonio Gallucci :: Hope for Nothingness as Something (Dinzu Artefacts)
Antonio Gallucci’s Hope for Nothingness as Something unfolds a luminous, meditative sonic theater, where meticulous avant-garde textures and subtle micro-intervals create an elusive ballet of sound and reflection.
Orphax :: Continuation (Moving Furniture)
Orphax crafts immersive, concept-driven electronic soundscapes where microtonal drones and sculpted frequencies converge into a hypnotic, liminal listening experience.
V/A :: The Third Mind. A Sonic Tribute to the Dreamachine (Unexplained Sounds Group)
Guided by Brion Gysin’s radical perceptual legacy, The Third Mind. A Sonic Tribute to the Dreamachine charts a hypnotic journey through ritual, abstraction, and experimental electronics—where sensory illusion, cerebral exploration, and darkly playful sound research collide.
Stefan Christoff :: Tonality in Motion (Élan Vital)
An unexpected acoustic turn from an electronic-ambient label, this release reveals a deeply immersive world of microtonal piano, spiritual minimalism, and improvised introspection.















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