Disappearing presents lonesome and meandering ambient pieces with a clear stylistic interest for tape loops technics, blurred-out semi-classical sequences built on the reverbed piano and oxydation feeling from deteriorated-fractured acoustic instrumental signals.
Author: Philippe Blache
Contre son :: Infinity of Dreams (Gladivs)
Titled Infinity of Dreams, this effort is a hybrid of styles operating a crossover between neo-classical orchestrations, mystical-liturgic ambient obtained by various synthetic chords and slightly pulsating ritual music.
LHAM :: Tertium Quid (Silentes)
Tertium Quid admits more emphasize on orchestrated cinematic grooves, chamber-pop melodicism, sampled collage, and spoken word with a clear call to be immersed in a reflective naturescape tendency, inviting the listener to be guided in a sentient vastness where shapes, time, moods, variations and colors are journeying around him.
Francis Gri :: Bruma (Self Released)
Francis Gri is the kind of sound artist whose work deserves to be discovered by a wider audience of ambient enthusiasts, seekers of tranquility, and those drawn to introspective, quiet moments at home. Much like an old friend, Bruma’s music offers comfort and solace, gently accompanying you through times of grief and personal reflection.
Dayin :: Meditations on Forgetting (Mahorka)
Meditations on Forgetting offers expansive, sorrowful ambient landscapes filled with granular noises, fluid droning electric tones, and synthetic oceanic waves.
Death-Static :: Time Is Ignorance (Sound In Silence)
Time Is Ignorance perfectly embodies the aesthetic and musical tone of the label, offering a collection of subtly organic and sentient pieces—blending processed acoustic patterns with lush textures, leaning partly towards melody while evoking a deep sense of serene melancholy.
Daniela Huerta :: Soplo (Elevator Bath)
An eerie, hypnotic atmosphere permeates Soplo, with its ambivalent, wandering melodies, flowing synth patterns, unpredictable experiments, and manipulations, all complemented by processed field recordings.
Cluster Lizard :: Herts (Prostir / I Shall Sing Until My Land Is Free)
The conceptual foundation of Herts draws from the tragic, heroic, and ritualistic aspects of soldiers’ behavior as they confront situations where their lives are constantly at risk, their foundations are destabilized, and the ever-present shadow of death looms over them.
That Which Is Not :: Wearing Serpents like Garlands (ROHS!)
Defined by an intricate layering of instruments, particularly within the classical music realm, which are then transformed and reshaped through the use of vintage electronic devices, adding a unique depth and texture to the acoustic arrangements.