Experimental Electronic Music
Welcomed by the superb quiet details label—responsible for classics in sculpted minimalist and lush dronescapes—Weeds is an other captivating, perfectly executed, and subtly moving, serene, granular sound experience for day-dreaming and serious meditative inner levitations affected by lonesome souls.
Tineidae is the moniker of Pavlo Storonsky, a sound producer whose style embraces cinematic textures, synth waving pads, and hypnotic-electro grooves, often immersed in dystopian sci-fi territories for the emotional and aesthetic inclination.
Belong’s return with Realistix IX is quite a success. They improve significantly on where they had left off and also make use of their noisy aesthetics, combining the two into a satisfying sonic collection.
Built over long soundscapes, noisy field recordings and hypnotizing harmonic clusters, Aqua Obscura completely takes over our attention, swimming on a magical journey that directly touches our inner consciousness.
Antenne effortlessly maps a new direction for saccharine synth-infused electronica while feeling like a call to the nostalgia and perplexing soundscapes from a few decades ago.
Globally, All of My Faults Laid Bare demonstrates a strong use of meandering synthesized textures with looped sequences, softly moving in deep space.
“The DiN ambient label was set up by Ian Boddy in 1999 to release ambient electronica that bridged the gap between the analogue sound of the early 70’s synth pioneers and the digital soundscapes of the more experimental modern exponents of electronic music.” Now celebrating their 25th Anniversary with a colossal 20 track compilation (CD/Digital), Ian Boddy discusses the label and its history with Philippe Blache.
With versality, skills, and a delectable sense of transcendental escapism, every musical contribution brings tone textures, patterns, timbral experimentations, harmonic progressions, and processed sound motifs to ravish your ears.
