Overleaf deploys digital tools to push further, fragmenting, layering, remake-remodeling, stretching sounds beyond recognition.
Tag: Soundscape
Ajna :: Mysterium Tremendum (Winter-Light)
A beautiful and intriguing dark ambient release, in touch with obscure forces of the divine and higher forms of spiritual communion. Another important contribution to multidimensional drone music and cinematic sound design.
Circuit3 :: Metanoia: Music From Therapy (Mortality Tables)
Metanoia: Music From Therapy marks an important step in Circuit3’s development. Fitzpatrick’s electronic music retains its connection with a clearly defined tradition: analogue machines, sequences, emotional minimalism and synthetic soundscapes. Here, however, that tradition is used to confront something deeply personal.
Vigilant :: Thread of Memories (Glacial Movements)
Vigilant offers here a meticulously crafted and sentient electronic release where processed field recordings interact with dreamily flowing dronescapes. A magical and magnetic feeling rises to the surface, leading the listener to a state of emotional stillness.
Chris Herbert :: Grisaille (Room40)
Chris Herbert’s Grisaille is a haunting journey through grainy ambient textures, fractured memories and shadowy soundscapes where beauty emerges from the dust of decaying dreams.
Irezumi :: Downfall (Brique Rouge)
Irezumi returns with a deeply immersive ambient journey where granular textures, subtle electronic details, and melancholic atmospheres unfold into a beautifully restrained world of sound.
Steve Hauschildt :: Aeropsia (Simul)
Steve Hauschildt returns after six years with a new album on Simul, still experimenting with the vast territories of audio research and panoramic, sentient ambient music on Aeropsia.
Mount Shrine :: The Yasu Ether Project (Cryo Chamber)
Simon Heath closes the release notes with “May you rest in peace.” There’s nothing to add to that. The Yasu Ether Project is an overall haunting and pleasant experience, a final document of an artist who understood that darkness and stillness aren’t opposites of beauty but conditions under which a particular kind of beauty becomes possible. César Alexandre knew that instinctively, and this album proves it one last time.
Trellis :: Field of Coincidence (Aural Canyon)
Field of Coincidence is the debut album documenting the collaboration between LA-based artists Jesse Perlstein (Sontag Shogun, AxOxH) and Michael Robert Chadwick (Fake Sword, Plum Professional), aka Trellis. Perhaps the perception of coincidence can serve as a link to folk psychology and philosophy as well as supernatural, occult, or paranormal claims, psychological reasoning, and the statistical probability of chance events.
Nimh/Sleepwalker :: Empire of Sand (Ksenza)
Empire of Sand provides impeccably built darkened droning soundscapes with an emotional and nihilistic apex. The whole sonic architecture is centered on assaultive, multi-layered harsh electric guitar patterns; micro-noisy, grainy ambient electronics; and a grandiose, spellbinding dystopian cinematic component.
Cosmos in Collision :: Unwound EP (Sun Sea Sky)
Cosmos in Collision’s Unwound arrives two years after The Passage of Time and confirms the direction of an ever-evolving project, capable of building dense and cinematic atmospheres. The cover artwork is an original watercolor by Cosmos in Collision, visually translating the narrative arc of the record: three chromatic fields blending from indigo to black, crossed by a white thread that slowly thins until it disappears.
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