Experimental Electronic Music
Crumpled experimental electronics and distorted glitch patterns dissolve into smaller elements with each passing minute, giving My battery is low and it’s getting dark just enough momentum to keep us engaged and looking forward to more in the same vein.
The artist’s ability to regulate and crunch such modular mayhem amplifies the pummeling sound-scraping detail of its ten tracks, which are scorched to no end by the overpowering combination of noise and distinct machine rhythms.
Two talented sound sculptors burst through harder-edged beats, bass, and distortion with a potent collection of sound design structures and dark electronics.
Vectorising continually draws from looping noises until nothing is left but dust. The amount of detail, found sounds, and auditory erosion is absolutely hypnotizing front to back.
Before the halfway mark, you get some noise that sounds like it’s derived from scraping a metal sheet on the floor, which may sound astoundingly unpleasant when I frame it that way, but becomes much more fitting and digestible when it is so quiet in this piece.
More than just a stopgap to chew on while awaiting a new studio album, Future Transmissions stands as an absorbing compilation that perfectly showcases how the band sounds today, proving beyond doubt that it has definitely not lost its special touch.
playgrounds: recess by Greystar features a variety of braindance, bass, shattered percussion, and punctuated breaks and is a massive 17-track collection that stretches into numerous sonic trajectories.
On Bare Ground is a sculptural work blending its lo-fi with haunting melodies, field recordings, and ethereal soundscapes. Uncompromising in its approach, the album evokes the echoes of experimental music from a spectrum that ranges from dark bedroom pop to rhythmic noise, crafting a cloudy and dreamlike atmosphere.
