The album title of this duet of paired longform tracks from Inquiri and bvdub is perfect for the Past Inside the Present label. What is our past, but a life in setting suns? And what is our present but the hope for more sunsets and sunrises.
Tag: Dub
DFKT :: Armagideon Machines EP (Dystopian Dub Discotheque)
Armagideon Machines is a robust EP pushing forward with sandblasted rhythmic dark-ambient dub strands from the farthest reaches of our universe, and is a treat to consume in one take.
Nuron :: DAT Tapes Vol 02 (De:tuned)
Interestingly, DAT Tapes Vol 02 casts light on a style that Jusat is not known for. There are moments of his trademark techno, but it is a more floor centric house that is at the heart of the record. The depth of previous productions is less evident, the explorations on offer being more rhythmic than melodic.
Scarper :: Noctis EP (Plexus)
Scarper takes a high-octane approach to his already accelerated exp-electronics trajectory.
Anders Ilar :: Tallinn Acid Tracks EP (Acid Lathe)
Produced by Anders Ilar in 2015 while in Estonia, Tallinn Acid Tracks is out now via Acid Lathe—an experimental sub-label of Yard Rec—on a limited edition 4-track clear square 8” vinyl made individually on a lathe cutting machine.
korrē :: Oizys (Perimeter Junk)
Characterized as “10 tracks of technoblues,” Oizys, the album, follows very much in the vein of the previous Shrapnel, a lowlight minimal variant redolent of some early ’00s Berlin-inflected dub-tech/tech-dub releases.
Displacer :: The Witching Hour SE (The Crime League)
Displacer revisits this iconic record and brings some friends along to partake, creating a flowing and textural audio assault that represents the entire dark electronic music landscape, likely for another decade.
Dorosoto :: Liquid Coast EP (Self Released)
This is music for beachcombing as the coastline gradually recedes and our cities and towns join the life of the sea. A sonar blast that […]
lifeisfeedback :: sado-mechanism EP (GOTO)
Similar to Richard Devine’s industrial synth-mechanics mixed with the rhythmic crunch-hop of Gescom, lifeisfeedback (aka Benjamin Chilton / Elevator Sound) sets a memorable tone as he opens an account with GOTO.