Experimental Electronic Music
Interestingly, DAT Tapes Vol 02 casts light on a style that Jusat is not known for. There are moments of his trademark techno, but it is a more floor centric house that is at the heart of the record. The depth of previous productions is less evident, the explorations on offer being more rhythmic than melodic.
Scarper takes a high-octane approach to his already accelerated exp-electronics trajectory.
Produced by Anders Ilar in 2015 while in Estonia, Tallinn Acid Tracks is out now via Acid Lathe—an experimental sub-label of Yard Rec—on a limited edition 4-track clear square 8” vinyl made individually on a lathe cutting machine.
Characterized as “10 tracks of technoblues,” Oizys, the album, follows very much in the vein of the previous Shrapnel, a lowlight minimal variant redolent of some early ’00s Berlin-inflected dub-tech/tech-dub releases.
Displacer revisits this iconic record and brings some friends along to partake, creating a flowing and textural audio assault that represents the entire dark electronic music landscape, likely for another decade.
This is music for beachcombing as the coastline gradually recedes and our cities and towns join the life of the sea. A sonar blast that […]
Similar to Richard Devine’s industrial synth-mechanics mixed with the rhythmic crunch-hop of Gescom, lifeisfeedback (aka Benjamin Chilton / Elevator Sound) sets a memorable tone as he opens an account with GOTO.
Mania embodies downtempo approaches to construct its unique message while straddling multiple genres without adhering to any one.
