In a world increasingly obsessed with acceleration, Ekzon offers something altogether more radical—the opportunity to pause, listen, and feel the architecture of the moment dissolve gently into light.
Recent Posts
Lamasz & Grandbruit :: Fictions (Past Inside the Present)
Expanding rather than merging the recognized individual styles of each, Fictions results in a chronostatic set of pieces with error honored as a hidden intention (see Eno’s Oblique Strategies) via analog processes, while holding to melodic virtues and economy of means.
Halftribe :: Disappear in Silent Ways (Dronarivm)
Melodic gestures emerge from drone surrounds—ground to figure, dissolving into field—drawing you in from perception’s margins, receding just as they seem to have settled.
Steve Hauschildt :: Aeropsia (Simul)
Steve Hauschildt returns after six years with a new album on Simul, still experimenting with the vast territories of audio research and panoramic, sentient ambient music on Aeropsia.
New Risen Throne :: Of Grey Grounds (Eighth Tower)
As always with New Risen Throne, this album is massive, cathedralic, orchestral, sonically transportive, with hints of doom-laden epicness. Recommended for fans of deep ambient music with a cinematic, moody-esque, dystopian edge. Fans of Lustmord, Svartsinn, Phaenon, Dodmaskin, Psychonaut, Aeoga… won’t be disconcerted.
Poladroïd :: Roentgenizdat (Roulette Rekordz)
Poladroïd packs eight lean, muscular tracks with throbbing bass, fat drum-machine punch and just enough EBM grit to keep the whole thing moving.
Otero Vargas :: Dissonance (Facade Electronics)
Otero Vargas has created an album that rewards attentive listening without demanding a prescribed interpretation. It is dark, textural, challenging, and surprisingly inviting. Beneath its fractured rhythms and unstable surfaces is an unusually thoughtful piece of electronic composition. Dissonance is a compelling listen from beginning to end and another strong statement from both Otero Vargas and Facade Electronics.
enabl.ed :: IDM(R)ot I (Clean Error)
Perhaps this new ROTCORE strata marks Batista’s next transmission. Here, rot does not simply signify decay; it becomes a productive process, a way for sounds to break down, recombine, and regrow. In that sense, IDM(R)ot I treats glitch not as damage to be corrected, but as evidence of life inside the machine—an opening through which IDM can mutate, regenerate, and find another generation of forms to cultivate and explore.
Visible Light :: Sierra de Luquillo: A Living Soundscape (Permaculture Media)
Visible Light did not try to produce an exact sonic replica of El Yunque, but rather focused on the aspects that impacted the musicians the most, just as a landscape painter can highlight aspects of a landscape that a straightforward photo cannot communicate as well.
Oen Sujet :: The Friendliest Fight We Know (Self Released)
Across its ten tracks, vocals function as much as part of the instrumentation as they do a traditional lead, with Hammerbell and John Winston Phillips giving each song its own shifting character.
RGL :: Untitled (ato.archives)
Untitled brings a form of fantasy music where society or environment is imagined in an advanced technological and scientific age exploring the universe, time, future tech, and humanity. The monstrous and crazy hypnotic repetitive sound is the art of the impossible, famously indistinguishable from magic, a way to test new ideas and take tomorrow.
Recent Posts
stanleycypress :: Ephemeral EP (Self Released)
Chris Meyer’s Alias Zone featuring Robert Rich :: Passage (Self Released)
Fallen :: Stars are Crashing, Homes are Burning… (Touched Music)
SUAHN :: Distort Everything Forever (Self Released)
Ervin Omsk :: Der Saal tobt (Orange Milk)
Strugatsky Brothers :: Window To Askoy (Zoku – Zoku)
Lost Myths :: Lost Myths vol. VII (Lotophagus)
The Bug / Friday Night Plans :: Ladybug 2 (Pressure)
