This assemblage being the fourth of the series, cascades without form, veering between the boundaries of experimental sonic media and next-level hyper glitch mechanisms, and is curated within introspective, low-flying IDM/braindance morsels.
Recent Posts
Otero Vargas :: Last Drives (Facade Electronics)
Overall, Last Drives is an intriguing, ominous voyage through sounds and moods. Each piece maintains momentum and is unquestionably worth the time to absorb, and perhaps return to time and time again.
Nerthus :: The Path of the Elder Ones (Eighth Tower)
Clashing noises, odd scintillations, cavernous echoes, and granular moves insidiously come to the fore to enthrall or ravish the listener in an intoxicated and poisoned tellurian or subterranean ambiguousness.
Bernhard Living :: Technological Lessness
Upon listening to Bernhard Living’s output, the music is extremely minimalistic and doesn’t actively try to be challenging in some way; so with how little there is that’s happening, I immediately knew that this was coming from someone who knew what they were doing.
Rubbish Music :: The 750-kilogram snake of destruction fatberg (Flaming Pines)
At thirty-nine minutes, abstract dark drones and punctuated slices of musique concrète flicker across densely layered clicks and disheveled echoes.
Hiverlucide & Pyramid Waves :: RiotxNoise (Solium)
Almost fifty minutes of improvised spazzing noise and dizzying breaks, all mastered rather loudly, make RiotxNoise far more than exciting; if the premise wasn’t enthralling enough, there’s also vocals and a damn harpsichord on this LP; now that’s good business if you ask me.
Jvox :: Beat Universe (Component)
Beat Universe feels like Man Is A Machine’s long-lost eccentric cousin dropping in to say, “hey, I’m still here,” and re-establishes a vision of electrified hip-hop as only Jvox navigates so well after all these years.
Lia Bosch :: Polar Code (Glacial Movements)
Polar Code is a deeply grounded icy synthesized orchestration covered by futuristic, sci-fi cyber-like electronic tones as well as treated acoustic timbres and deep audio moves.