Experimental Electronic Music
Less than a year after TON, a two-hour-and-a-half glitch mammoth that made it into Igloo’s Best of 2024 round-up, Özcan Saraç is back on Evel with Neural Generators of the Auditory Brainstem Response—and if TON already seemed daunting for its lengths and experimentation, Saraç’s seventh album ups the ante, clocking over 330 minutes divided into twenty-five movements.
All in all, this is an album that doesn’t fail to entertain those looking for interesting, leftfield electronica. The aesthetic of this LP very much matches its concept, and if you want to feel like you’re part of the labyrinth yourself, might as well try and do the one on the cover, only to realize after a little bit that it’s completely closed off and you’d feel as lost as you should.
An eerie, hypnotic atmosphere permeates Soplo, with its ambivalent, wandering melodies, flowing synth patterns, unpredictable experiments, and manipulations, all complemented by processed field recordings.
The emotional resonances of this album would seem to be marred by writing a review that cannot, by its very nature, encompass the fluxing changes of musical flow and depth captured on 13. Just listen to it and be swept into a world that’s always changing, fates of people and nations rising and falling. This is something we should be unconcerned about, and instead offer our trust, care and love back to the world.
Micrometeoritic Flowerpot charts multiple routes, showcasing its raw, boundary-pushing electronic constructions in a whirlwind of imaginative soundscapes.
As a career-spanning series of albums, not every Xerrox volume is likely to appeal to everyone, but it remains a breathtaking, timeless set of ambient albums unlike anything else in Alva Noto’s now extensive canon.
The spiritual currents wafting into the air around these mountains is very auspicious for spiritual upliftment, imagine echoes of warm, rainy and masterfully crafted drones. The Mount Hibiki Tapes compiles all currently known underground albums, singles and EPs produced with the Mount Hibiki project.
As with every trip into outer and inner places, there is much to ruminate on here after the return home. Further sessions haven’t proved to exhaust what is opened up here, but have only served to expose the many doors along the cobwebbed corridor where one can be drawn into further phantasmal realms.
Though Early on 2004-2008 may feel eclectic and perhaps disjointed at times, it beautifully showcases Ossa’s distinctive hardware-driven style and impressive range that most artists dare not traverse.
![Allmanna Town :: 1911 EP (Self Released) — [concise]](https://igloomag.com/wp/wp-content/uploads/2025/03/allmannatown-1911_feat2-75x75.jpg)
