Experimental Electronic Music
The duo flex melodic fibers and braindance shards over a wide spectrum with funky beats, synaptic pulses, and fluttering synths. Their capacity to produce squelchy, nearly lifelike shapes is equally susceptible to deformation in the form of elastic vibrations
Eleven structural layers on Oblique Minimalista bend, twist, drift, and collapse as glitch mechanisms weave through punchy, minimalist grooves.
“Qu4drilogy is a concept work for four albums by Frank Riggio iggio. The concept is fully finished with the additional album Versions / Outtakes—released exactly one year after the first part was published.”
On Alive In Wonderland, Dalham (aka Suffolk countryside-based and London-residing Jon Michaelides) shifts slightly from his prior style of gauzy sound spheres and broken beats to slow motion, BOC-infused psychedelic semi-electro shapes.
Scarper takes a high-octane approach to his already accelerated exp-electronics trajectory.
Ümlaut (aka northern Connecticut-based Jeff Düngfelder) elevates An Auxiliary View, delving light years into transparent soundscapes, expansive musique concrète, microscopic glitch mechanisms, and static pulses for the consistently adventurous Audiobulb imprint.
Fans of Richard Devine and Valance Drakes should take note of Dragon’s comprehensive blend of deep sound forms that pierce through the core of our planet.
Surrounded by good friends contributing their own interpretations—including Abdicant, Access To Arasaka, Valance Drakes, Jérôme Chassagnard, Unterm Rad, Asshole Galaxy, Abdicant, Weldroid, Grosso Gadgetto, and Mitoma—”Альбатрос” turns into an avalanche of sonic detritus.
