Elemental arrives almost unannounced—a sprawling nine-piece set casting a hauntological spell through its organically rhythmic frameworks and sporadic instrumental fissures.
Tag: Soundtrack
Markus Guentner :: On Brutal Soil, We Grow (Affin)
An experience that trains the ear for duration, for the quality of detail, for the value of waiting. In its harshest ground, On Brutal Soil, We Grow leaves a clear mark: proof that fragility, handled with precision, can become structure.
2View — 400 Lonely Things :: Creature Comforts / Why I Went To The Woods (Cold Spring)
Across Creature Comforts and Why I Went To The Woods, 400 Lonely Things turns grief, memory, and quiet hope into two deeply human soundworlds that linger long after the final note fades.
Near The Parenthesis :: Relative Minor (Self Released)
On Relative Minor, Near The Parenthesis crafts a hushed, neo-classical ambient journey where delicate piano and drifting synths unfold with intimate, suspended beauty.
d’Voxx :: HERZOG: A Retrospective (DiN)
A fearless electronic meditation on obsession and excess, HERZOG: A Retrospective finds d’Voxx transforming cinematic intensity into immersive modular soundscapes.
Patricia Wolf :: Hrafnamynd (Balmat)
Patricia Wolf’s Hrafnamynd—her second LP for Balmat—melds ambient composition, field recordings, and empathic melody into a haunting, memory-soaked soundtrack whose warm synths, birdsong, and tape-worn textures mirror Edward Pack Davee’s raven-haunted Icelandic imagery and its meditation on collective and personal remembrance.
Melisa Aller :: DESTRUKTION (Clara / Blattklang)
Melisa Aller’s DESTRUKTION manifests as a hostile, future-ruined sonic environment where precision sound design becomes a vessel for aftermath, endurance, and the quiet violence of consequence.
Yamil Rezc :: Orgrinder (Facade Electronics)
Yamil Rezc’s Orgrinder is a quietly transformative 40-minute work that reshapes familiar urban sound into a patient, immersive listening experience, rewarding curiosity rather than demanding attention.
Rena Jones :: Love Letters (Cartesian Binary)
Love Letters unfolds as a luminous inward journey—where classical warmth, electronic bloom, and rhythmic grace converge to celebrate self-acceptance, emergence, and the quiet power of realizing we have always been enough.
Mr. Projectile :: Fire Pink (Self Released)
Matthew Arnold resurfaces as Mr. Projectile with Fire Pink, channeling decades of emotive electronic craft into a forward-thrusting statement that trades nostalgia for ignition.
















