Experimental Electronic Music
After a quiet pause, See Blue Audio returns with a ritual-like gesture, entrusting its sixtieth release to Cartography of Sleep—a long-distance collaboration patiently assembled through file exchanges, where Droning Cats and NRV map sleep as a drifting terrain of drone, nuance, and attentive listening.
A very English children’s story about death: Difficult Art & Music present A.C. Fayler’s novel and an accompanying electronic OST by Near Minerals. Kickstarter campaign.
Ainslie’s Sweguno project unveils No Right Or Wrong Way Forward as a spellbinding, alien nine-track descent into ghostly vocals, spectral electronics, and brooding industrial motion, shaped by shadowed mysticism and abstract unease.
A sweeping double-length release, Exposure Fields pairs nine original tracks with eleven transformative reworks to extend Dissolved’s singular IDM vision—fractured rhythms, ethereal atmospheres, and luminous melodic detail—into a deeply immersive statement shaped as much by collaboration as by the artist’s own enduring voice.
Roel Funcken sharpens his abstract modular language on Drature, unleashing interlocked rhythmic systems and rugged electronic textures that push his forward-thinking sound even further beyond its own frontier.
Aurelume unfolds as Simon Pyke’s eleven-track meditation on soft bleep and tone, where hazy melodies, drifting pulses, and restrained rhythm coalesce into a soothing, dreamlike statement poised between IDM and abstract ambient calm.
Closing out 2025 in unified motion, Neo Ouija’s Signal 25 distills one of IDM’s leading imprints into a singular, flowing statement—and to mark the release, five CD copies are up for grabs in a special giveaway.
Soundtrack for a dying world drags you into a year-round Halloween, turning every moment into a stylish, giallo-soaked plunge through dread, decay, and dark cinematic thrill.
Renku Corporation’s Giving Thanks 5 erupts in meticulously sculpted chaos—an 11-track whirlwind of shattered beats, modular contortions, and fuzz-edged IDM finesse that feels both nostalgically raw and fiercely singular today.
Every day is Halloween for Dressel Amorosi, the Italian duo who carve their stories in synthesizers and basslines as if scoring a never-ending slasher film. Now they return from the shadows, sharpening their sonic blades for House of the Dolls, a chilling sequel to their cult 2018 soundtrack Deathmetha.
Drummachinemike navigates the shifting terrain between ambient and IDM, where emotion and circuitry pulse as one. The result is a meditative exploration of fragility and form — nostalgic yet forward-looking, human yet machine-born.
