Experimental Electronic Music
It is wonderful to see YUYAY back releasing. It is a label that has always sought out eclectic and open styles, refusing genre pigeonholes in its pursuit of lesser heard music. XY0815’s This Tool Has No Options is a sure expression of this mandate. An LP that took its cue from the past with tracks that will undoubtedly continue to sound fresh for years to come.
Swimming together in the tangential downpour of torrential media percussion and repercussion, all of this material can be considered as an excavation of a lost futurist consciousness.
As fragmented, scattered rhythms flutter through the landscape, the depth and intricacy of Bunker Symphonies II reveals a generative flow that never feels forced.
Music for contemplating our winged companions who have given us so much inspiration, reminding us that in our dreams and meditations we all have wings to fly.
The release of Trippin’ Variations via A Person Disguised as People is further evidence of Gray’s growing profile with a variety of tweakings to the original track from FC Commitments, Soft Operator, James Scott, SXXN, Stan K, Hidden Rivers, and Drummachinemike.
With a seamless blend of structured instrumentation and drifting passages, this ten-track suite unfolds as a collection of evolving, serene, and blurred shoegaze elements that hover just above the realm of organic surrealism.
Geyzel’s signature beats twist and intertwine with drifting melodic threads, while pulsing drones create a hypnotic atmosphere, and in sum, Visions I Lost expertly delivers on all levels.
With eleven miniatures that pulse with glitchy nuances and a downtempo heartbeat, Watanabe guides us along unexpected paths, where abstract beats, gently plucked notes, and fuzzy rhythms harmonize in an elegant dance.
A masterclass in Berlin School-inspired sequencing, immersive soundscapes, and a fusion of electronic textures that recall the golden age of 1970s synthesis while embracing modern production techniques.
Tertium Quid admits more emphasize on orchestrated cinematic grooves, chamber-pop melodicism, sampled collage, and spoken word with a clear call to be immersed in a reflective naturescape tendency, inviting the listener to be guided in a sentient vastness where shapes, time, moods, variations and colors are journeying around him.
