It’s a vortex of unstable harmonics and whispering frequencies, built from minimal static and fractured melodies that seem to constantly evolve, folding in on themselves.
Author: Pietro Da Sacco
Aelk Minsur :: West to Rust (Self Released) — [concise]
It’s industrial rot turned ritual, where mechanical howls and corrosive tones blur into something akin to musique concrète or audio collage—less composed than unearthed.
Kero X Gotshell :: Vacuum (Detroit Underground) — [concise]
Vacuum weaves glitch and sci-fi techno into an atmospheric fabric both hypnotic and volatile, its fragments orbiting in strange harmony. An echo from a future imagined long ago—contained, uncontained, and defiantly singular.
Grant Deane :: A Coruscating Hope (◢sidehatch)
A Coruscating Hope bends its structures into semi-familiar dance contours, then dissolves them. It’s here that a subtle storm of grayscale noise and electrical charge animates an intricate, shifting sound world—where experimental electronics meet a shadowy, tactile form of techno.
The Mellowtrons :: Protected EP (Voidstar Productions) — [concise]
A frenetic voltage crackles—diffuse yet finely honed into serrated, dub-drenched silhouettes—across Protected by The Mellowtrons (aka Lee Walker).
Tom Hall :: Trip Computer (Sonoptik)
Tom Hall sculpts granular textures and rhythmic fragments into form—an exercise in data compression through tactile, resonant frequencies. Bass pulses, tonal debris, and percussive detail coalesce into a focused, razor-sharp sound world. Each track breathes with emotion, even as it lives inside the circuitry.
Wevie Stonder :: Sure Beats Living (Skam)
From carpet tiles to call center lines to Bulgarian bee barters—an uncanny symphony of sounds, woven seamlessly into one surreal tapestry.
Snowbeasts & Solypsis :: Extinction Burst (Component)
Despite a 2,500-mile distance and sprawling solo discographies, Snowbeasts and Solypsis operate here as if face-to-face—crushing boundaries, igniting audio wreckage, and forging bold new altars of sound.
Hexalyne :: Isoconicase (Noided Media)
If Richard Devine and Autechre trace similar constellations in the sonic firmament, Hexalyne orbits his own peculiar void—an architect of abrasive beauty, leading a procession of rhythmic contortion through the digital underworld.
Michael Valentine West :: Liquid architecture (Evel)
These works feel like sonic residue from a scorched reality—assembled gradually, layer upon layer, into contemplative yet fractured shapes. MVW crafts immersive, multidimensional pieces where evolving sound design breathes slowly, alternately swelling and dissipating, constructing only to deconstruct.
Galaktlan :: Helemental (Touched Music)
Helemental doesn’t shout; it glides. It evokes connection not through force but through familiarity—like stumbling upon a memory long tucked away, warm and faintly glowing. This is an album that hums gently with presence, a quiet reminder that something beautiful still lingers, waiting to be heard.
















