Experimental Electronic Music
Both Martin Boulton (aka Min-Y-Llan, Touched Music founder) and Jeroen Bax (aka exm) build incredibly surreal audio worlds. As their earlier releases were characterized as a “real demonstration of powerful synergy,” this eponymous release draws a recognizable pulse.
Veter glides by like gentle snow falling in the heart of winter, with its melodies drifting past light technoid flutter and a crisp chill in the air.
This closing retrospective explores a dozen sculpted electronic textures and tones, where rhythmic audio structures collide and collapse, crumple and fold, as the Australian label shifts into the forward-thinking Glitchpulse Records outfit.
Mert Büyüksağnak (also known as Consul) makes a strong debut breakcore and braindance collection, tearing through the speakers with splintered beats galore.
Northern Mexico’s Facade Electronics’ annual compilation titled Sampler IV (aka Sampler IV. Present and future. Facade Electronics 2020-2025) shifts into their fourth of the series, representing fourteen tracks that spark and shimmer at all the right angles.
Diving head-first into Wankers United’s (also known as Thomas Lanza) most recent album, Zootech, for Evel, and we’re hypnotized by its melodic disintegration and glitch-laden groove.
Where atmospheric waves coalesce, drifting sonic ice-sheets scrape up against each other as Identity Values subtly gains momentum while aligning with Audiobulb’s extensive Rolodex of abstract sound sculptors.
This assemblage being the fourth of the series, cascades without form, veering between the boundaries of experimental sonic media and next-level hyper glitch mechanisms, and is curated within introspective, low-flying IDM/braindance morsels.
