The Getaway could easily have stood on its own, but the remix sequence expands its central idea: fractured industrial sound behaving almost like an alien transmission, constantly mutating through minute edits, glitches, and rhythmic interference.
Author: Pietro Da Sacco
survey channel :: Macrozones EP (Self Released)
Macrozones ultimately feels like a succinct collection of lost time capsules, each one preserving a slightly different shade of distant sound, blurred memory, and quiet unease. A sonic pallet worth every minute of our time.
Five questions with Somewherecold Records
From its roots as a music blog to a fiercely independent label built around physical releases, Somewherecold Records has grown from Jason Lamoreaux’s love of experimental music into a deeply personal effort to give artists and their work something lasting to hold onto.
Signal_Black :: Disruptive Event (Evel)
Rather than treating glitch as surface decoration, Signal_Black builds an entire skeletal language around it. What emerges is a unified, tightly constructed collection of focused (yet splintered) electronics—one that pushes exploratory sound forward through distortion, fragmentation, and a distinctly futuristic sense of movement.
Multiplex :: Axial Opposition (People Can Listen)
That exchange between past and present is central to Axial Opposition. Classic Multiplex structures remain recognizable, yet the melodic synthesis gives them renewed dimension, allowing vintage electronic language to exist alongside contemporary detail.
[2View] Xurba :: DFTSKZ-V333 & The Dexadream EP’s (Electric Studios)
The Dexadream seems to soar hundreds of miles above our atmosphere, while DFTSKZ-V333 drifts in and out of downtempo electronic bubbles of sound and space, funk, and textural, beat-laden wonders. Across both releases, Xurba folds left-field elements into a language entirely his own, shaping sound into something hazy, distant, and quietly otherworldly.
enabl.ed :: IDM(R)ot I (Clean Error)
Perhaps this new ROTCORE strata marks Batista’s next transmission. Here, rot does not simply signify decay; it becomes a productive process, a way for sounds to break down, recombine, and regrow. In that sense, IDM(R)ot I treats glitch not as damage to be corrected, but as evidence of life inside the machine—an opening through which IDM can mutate, regenerate, and find another generation of forms to cultivate and explore.
Oen Sujet :: The Friendliest Fight We Know (Self Released)
Across its ten tracks, vocals function as much as part of the instrumentation as they do a traditional lead, with Hammerbell and John Winston Phillips giving each song its own shifting character.
Cathopsis :: Solythode (Component)
Solythode maintains an unrelenting presence, often opening with uneasy ambient-noise structures before expanding toward the outer edges of mechanical rhythms and threaded bass lines that seem to operate just outside our galaxy.
Artificial Island :: Another World (Remastered) (Self Released)
Across Another World, Artificial Island keep things measured and textural, allowing minute sounds, gentle rhythms and shifting layers to carry much of the album’s character.
Scarper :: Off-Cuts (2014 – 2021) (Plexus)
There’s something particularly satisfying about hearing forgotten tracks recovered, revisited and finally released for others to discover. Off-Cuts (2014–2021) doesn’t feel like a scattered collection of archival material; instead, it comes across as a carefully gathered snapshot of a creative period, proving that these pieces still have plenty to say.
Recent Posts
Strugatsky Brothers :: Window To Askoy (Zoku – Zoku)
Lost Myths :: Lost Myths vol. VII (Lotophagus)
Unterm Rad :: The Getaway (Mahorka)
The Bug / Friday Night Plans :: Ladybug 2 (Pressure)
Philippe Deschamps :: Wind Paths (Silent Sonic)
Ian Hawgood :: Live at Still Point 2026 (Folk Reels)
Giulio Aldinucci :: Materia (Karlrecords)
Kim Cascone :: Post-Digital Music: Essays (1999–2026) (Silent)
