Dedicated to Mike Petruna, whose recent passing lingers behind every note, Where Waves Begin to Collide deepens Stembridge’s devotion to immersive exploration.
Author: Pietro Da Sacco
BLACK ANT :: Dokkōdō (Y-7-ZERO))) (Self Released)
Sound arrives warped, bent out of shape, tangled inside broken-beat filaments. Dokkōdō (Y-7-ZERO))) moves through knots of blips and bleeps, a maze of micro-techno sparks, flickering bass currents, and crooked mechanical murmurs.
Pink B :: Metadata While Coffee Breaking (Eves Music)
On Metadata While Coffee Breaking, Marco Paladin crafts a quietly immersive electronic journey as Pink B, where drifting atmospheres and nostalgic pulses unfold with understated emotional pull.
Drum & Lace :: Terra EP (Mesh) — [concise]
On Terra, Drum & Lace craft a quietly immersive five-track suite where ambient textures, soft rhythms, and distant vocals ebb and flow with a grounded, elemental grace.
Xurba :: Zelun Somniates (Electric Studios)
Drifting deeper into ambient sound fields, UK-based Will Brazier-Smith, recording as Xurba, traces hauntological contours across Zelun Somniates, a sequence of ten pieces shaped from slow-moving undercurrents
Vcam :: sift EP (Self Released) — [concise]
Closely tied to early IDM explorations, James Long’s Vcam alias continues shaping environments alive with intricate rhythms and fluid forms. With sift, twenty minutes slip by across five crumpled, fractured bursts, each sharpened by laser-like focus.
Jvox :: Elemental (Component)
Elemental arrives almost unannounced—a sprawling nine-piece set casting a hauntological spell through its organically rhythmic frameworks and sporadic instrumental fissures.
WONKS :: Error M3trics (Clean Error) — [concise]
WONKS’ Error M3trics is a nine-track blast of gritty, glitch-driven electronics where fractured beats, warped synths, and mechanical textures collide into a restless, future-leaning soundscape.
Spacelike :: Spy Satellite EP (Lightlike) — [concise]
Spacelike’s debut suite Spy Satellite threads orchestral depth through shadowed ambient synths, guiding listeners from the expansive surge of “Points In Space” to the delicate, dissolving glow of its closing title track.
Spednar / eczem :: .XOR / TXX (Tarantella)
Across two live, fifty-minute transmissions, Spednar and eczem push their machines to the brink, sculpting raw voltage and fractured rhythm into immersive, ever-mutating electronic architecture.
John Nap :: C.C.T. (Heterodox)
Across eight meticulously engineered cuts, John Nap’s C.C.T. fuses subterranean bass weight, corroded glitch textures, and restless breakbeat architecture into a sleek, nocturnal system of controlled sonic volatility.

















