In experimental sound, collaboration often stems not from strategy but from shared sensibility. Such is the case with Stone and Worship, the compelling new duo release from Phil Maguire and Primož Bončina. Coming from gestural heavy guitar and electronic bass drone music respectively, the two bonded over a deep reverence for minimalism, physical space, and the ineffable power of sound. Their partnership is built as much on intuitive listening as on careful deliberation—a quiet resonance that became a mutual language, shaping Stone and Worship into a work of subtle force, where each frequency, pause, and vibration speaks volumes.
Tag: Electroacoustic
Jonny Nash :: Once Was Ours Forever (Melody As Truth)
Once Was Ours Forever is an album that asks for nothing but offers so much. It’s a buen retiro built from the light of things once held. Nash doesn’t aim for effect, he moves toward the truth of small gestures.
Philippe Neau :: hORs SoLs (Mahorka)
Titled hORs soLs, this new album by Philippe Neau is dedicated to green field recordings which work like a lively, organic ballet of natural sounds occasionally morphed, treated and manipulated with additional electronic sound sources.
Fallen :: We are lone swans floundering in a deep river or sudden magic (Shimmering Moods)
Here, looped beats, sharp-panned synth lines, sparkling sampled piano, and glitchy “post-rock” electronica remind me of the early n5MD releases from the likes of Lights Out Asia, Epic45, and Near The Parenthesis.
Edmondo Riccardo Annoni :: La grotta è aperta (ROHS!)
An album conceived as if it were played by a bodiless orchestra, where resonances, feedback, Tibetan bells, synths, and trumpet come together in an electro-acoustic tone guided only by the intent with which it was created.
Kate Carr :: Rubber Band Music (Flaming Pines)
Done literally with everyday objects you could find in anyone’s garage, Kate Carr’s Rubber Band Music exploits the various pitches and timbres you can obtain from rubber to then manipulate them via electronic means.
Richard Skelton :: the old thrawing crux (Aeolian)
These soundscapes exist within a delicate balance of fragility, inchoate shape and form yet held together with a structure and purpose set forth by the composer himself. It bears repeated listenings which will bear different fruit each time, and comes highly recommended.
Takeshi Muto :: El Pato Electronico (Schematic)
El Pato Electronico presents a seamless, commanding, and dynamic collection; fusing the cutting-edge spirit of Takeshi Muto’s vast sonic landscape into an unyielding force of auditory abstraction.
sevensy :: one2one (Mahorka)
Exploring the shining transcendental ego absorbed by transportive sound motifs and by a kaleidoscope of spiritual colors.
Catherine Lamb x Ghost Ensemble :: interius/exterius (greyfade)
interius/exterius unfolds with patience, drawing the listener into an auditory space where subtle shifts in timbre and resonance take on profound emotional weight.
Dayin :: Meditations on Forgetting (Mahorka)
Meditations on Forgetting offers expansive, sorrowful ambient landscapes filled with granular noises, fluid droning electric tones, and synthetic oceanic waves.

















