Experimental Electronic Music
The sacrament of music is universal, presented here with no words, no specific belief system, no dogma, just a moment in time with two guys who were hanging out together in an otherwise empty church making the whole place resonate and respond with otherworldly vibrations.
Darren Harper and Ümlaut create one long dreamy track and eleven short fragmented listening experiences.
Par Dessus Bord sounds like a well-crafted horror score of a dark and minimal nature. Tracks are less melodic than rhythmic, looped, and electroacoustic.
Cecchitelli’s style reminds me a bit of Angelo Badalamenti, a chosen soundtrack composer for David Lynch, among others. It is much like his, but with some Leo Kottke added, with a similar style of guitar melodies.
I the Storm is by Simon McCorry who is well known as a remarkable cellist and sound-sculptor of ambiguous environments. Here are four extended tracks of cello-toned sculptures.
A complicated and nourishing interweaving of elements, the healing creative development continues, layering and recounting the paths, dreaming becomes a way to the new home.
Sprawling and entrancing walls of sounds, lapping waves of noises, sinuous e-guitar motifs, ruminating drones, processed cathedral-ish chorus, engulfed church organ patterns…
We find ourselves immersed in full-bodied expanses of floating drones and the intricate use of field recordings, for a slow and pleasant listening, exposed to very skillful sound design techniques.
There is no drippy bubbly burbling river sound, this is all synthesizer and guitar instrumentals, taking the listener to a place as large as the ocean might be…
