With everything speaks of itself, joão ms decisively steps out of the dream logic of his earlier work, presenting an album grounded in direction, structure, and presence, where sound no longer signifies sleep but asserts itself as waking reality.
Tag: Electroacoustic
Fallen :: Our Endless Waltz between Wonder and Mud (Mahorka)
Lorenzo Bracaloni’s Our Endless Waltz Between Wonder and Mud is a deeply cinematic ambient–downtempo album where bittersweet guitar hymns and subtle electronic experimentation merge into an intimate, nocturnal emotional journey.
V/A :: One of these tributes vol.2: inDirect eVANGELISm (chapter 3: epilogue) (Mahorka)
Mahorka presents a bold and visionary tribute to Vangelis, uniting experimental and electronic sound artists in a genre-blurring compilation that celebrates the legendary composer’s expansive legacy. Traversing cinematic ambient, downtempo, and space-infused electronics, the release captures both the emotional depth and inventive spirit that defined Vangelis’ music.
Shedir :: Sounding the spaces between strangers
Shedir’s latest album, We Are All Strangers (n5MD), explores the delicate space between isolation and connection, inviting listeners into a world where sound becomes both a mirror and a bridge. In this intimate interview, she reflects on the emotional depth, tactile textures, and philosophical questions that shaped the record, revealing how distance can paradoxically foster closeness.
Felicity Mangan :: String Figures (Elevator Bath)
Felicity Mangan’s String Figures is an immersive exploration of field recordings, electronic textures, and string timbres, blending natural sounds from wetlands with lush, slowly evolving drones and quasi-bioacoustic compositions. Across six pieces, she transforms subtle environmental cues—water, frogs, moss, and children at play—into meditative, minimalistic soundscapes that range from austere elegance to rich, enveloping resonance.
Shedir :: We Are All Strangers (n5MD)
We Are All Strangers marks the fourth chapter in Shedir’s evolving sonic journey, picking up the thread from 2023’s Before the Last Light is Blown with a quieter, more assured voice. In this patient, immersive work, uncertainty becomes atmosphere, and beauty emerges not from clarity, but from a deep, enduring presence.
Intelligent Life :: Qualia (Self Released)
Intelligent Life is a quietly immersive collaboration between Jeff Düngfelder, Mike Brown, and Joshua Trinidad that merges downtempo electronics with jazz-influenced instrumentation. With trumpet, contrabass, and ambient textures woven into a meditative whole, the album invites deep listening and emotional stillness.
Ümlaut :: Musique de Film III (Audiobulb)
Ümlaut, the ambient project of Jeff Düngfelder, returns with a third chapter in his music for films series on Audiobulb Records, offering a luminous, minimal sonic journey that blurs the line between introspective cinema and immersive sound art. Blending aleatoric electroacoustic textures with vaporous ambient pads and subtle IDM rhythms, the album invites deep listening and aligns with visionary artists like Li YiLei and Mick Chillage.
Maps and Diagrams :: Clearwater (ROHS!)
With Clearwater, Maps and Diagrams (Tim Martin) crafts a hypnotic meditation on erosion, decay, and the quiet instability of sound. Blurring the line between ambient composition and sonic disintegration, the album drifts through fractured loops and dissolving textures, revealing beauty in impermanence and space.
Glinca :: Tament (Fluid Audio)
In the current landscape of experimental ambient and electroacoustic music, Tament stands out precisely because it resists easy categorization. It’s an album that doesn’t force interpretation but opens a space for it, a set of sonic invitations that reward patience and close listening. Glinca doesn’t so much give answers as pose questions about how we listen, about what we overlook, and about how sound itself carries memory.
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