Experimental Electronic Music
Felicity Mangan’s String Figures is an immersive exploration of field recordings, electronic textures, and string timbres, blending natural sounds from wetlands with lush, slowly evolving drones and quasi-bioacoustic compositions. Across six pieces, she transforms subtle environmental cues—water, frogs, moss, and children at play—into meditative, minimalistic soundscapes that range from austere elegance to rich, enveloping resonance.
We Are All Strangers marks the fourth chapter in Shedir’s evolving sonic journey, picking up the thread from 2023’s Before the Last Light is Blown with a quieter, more assured voice. In this patient, immersive work, uncertainty becomes atmosphere, and beauty emerges not from clarity, but from a deep, enduring presence.
Intelligent Life is a quietly immersive collaboration between Jeff Düngfelder, Mike Brown, and Joshua Trinidad that merges downtempo electronics with jazz-influenced instrumentation. With trumpet, contrabass, and ambient textures woven into a meditative whole, the album invites deep listening and emotional stillness.
Ümlaut, the ambient project of Jeff Düngfelder, returns with a third chapter in his music for films series on Audiobulb Records, offering a luminous, minimal sonic journey that blurs the line between introspective cinema and immersive sound art. Blending aleatoric electroacoustic textures with vaporous ambient pads and subtle IDM rhythms, the album invites deep listening and aligns with visionary artists like Li YiLei and Mick Chillage.
With Clearwater, Maps and Diagrams (Tim Martin) crafts a hypnotic meditation on erosion, decay, and the quiet instability of sound. Blurring the line between ambient composition and sonic disintegration, the album drifts through fractured loops and dissolving textures, revealing beauty in impermanence and space.
In the current landscape of experimental ambient and electroacoustic music, Tament stands out precisely because it resists easy categorization. It’s an album that doesn’t force interpretation but opens a space for it, a set of sonic invitations that reward patience and close listening. Glinca doesn’t so much give answers as pose questions about how we listen, about what we overlook, and about how sound itself carries memory.
Terrarum Murmur is a collaboration between Japanese composer Hideki Umezawa and Italian electroacoustic artist Giuseppe Cordaro, born of a shared residency on the volcanic island of Stromboli in 2023. Blending field recordings, modular synthesis, and deep listening, the work captures the subtle vibrations of geological time. Far from spectacle, it invites us to hear the earth as a quiet, continuous presence—shaped by patience, precision, and a deep respect for sound as both material and method.
Selected Remixes reflects Zach Frizzell’s collaborative ethos and transformative ear, reworking tracks from across the ambient and experimental spectrum. With his signature analog warmth, chthonic textures, and spectral drift, zakè reshapes source material into a cohesive suite of deep-listening reinterpretations that reveal his intuitive sonic alchemy.
Ludovico Franco’s Open Field (Rohs! Record) is a seven-part ambient work blending field recordings, improvisation, and electronics. Inspired by James Tenney, it was recorded outdoors with musicians and audience sharing the space. The result is a series of immersive soundscapes that feel more like living environments than compositions.
What makes Second so effective is the trio’s experience. Vitiello, Canty, and Rowe each bring something refined and practiced to the table. The record is skillfully composed and beautifully produced, making it no surprise that it’s also deeply satisfying.
Key actor and indie label in the vast panorama of modern day electronica and sound art, Mahorka started its creative adventure back in 2000-2001 with strongly aligned ideas to participate actively in advanced experimental music worldwide and from various cultural horizons.
