Surrounded by good friends contributing their own interpretations—including Abdicant, Access To Arasaka, Valance Drakes, Jérôme Chassagnard, Unterm Rad, Asshole Galaxy, Abdicant, Weldroid, Grosso Gadgetto, and Mitoma—”Альбатрос” turns into an avalanche of sonic detritus.
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Yimino :: Twmpa (Touched Music)
Some may have given up dreaming, but not me—and three years later I’m more than happy to say that the patience paid off. Henry & Gerald take their rightful place in the studio and with an apparent love of Welsh mountains unleash Twmpa upon us. It’s the perfect mix and balance of classic Yimino and fresh new ideas that one might not have expected from the pair.
Federico Balducci & fourthousandblackbirds :: Succulent Succubus (Difficult Art And Music)
The project focuses on sound textures, an exploration rather than a pure melody, at others, the feeling comes across like the low-end rumble of a beat-less Berlin nightclub seeping up through the floorboards.
Low Communication :: We Should Leave The Earth (EQ)
Transporting us back to the early aughts where Toytronic, Art-Tek, Neo Ouija, and Pause_2 labels launched melodic experimental electronic transmissions during the height of IDM; Low Communication glides somewhere between then and now.
Keith Seatman :: A Skip and a Song to See Us Along (K.S.Audio)
There’s a feel of controlled randomness in this LP, and it helps maintain its erratic feel overall, as music like this sounds so quirky to […]
Zeno van den Broek, HIIIT, Gagi Petrovic & Machines :: Relatum (Moving Furniture)
The broad and distinctive esotericism of Zeno van den Broek, HIIIT, Gagi Petrovic & Machines’ Relatum features what sound like field recordings and found sounds merging into one fractured listening experience. Yet it’s not what it seems.
WE FORFEIT :: Radio Relativa #43 — Top tracks of 2023
2024 is well underway. Nevertheless, We Forfeit returns to one of their many, many traditions; their favorite records of 2023!
korrē :: Oizys (Perimeter Junk)
Characterized as “10 tracks of technoblues,” Oizys, the album, follows very much in the vein of the previous Shrapnel, a lowlight minimal variant redolent of some early ’00s Berlin-inflected dub-tech/tech-dub releases.