Igloo Magazine

±vMcÇ :: 1..or.2..or.u.chuz (Glitchpulse)

Reviews 08/16/2024 by Pietro Da Sacco

1..or.2..or.u.chuz’s background soundtrack layers pierce the boundaries of glitch and braindance, which is hidden deep within its jagged fissures.

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Derrick Stembridge :: Past Present Future: Archive III (Labile)

Reviews 08/16/2024 by Justin Patrick Moore

This album feels like opening up a picture album of pleasant and nostalgic memories, infused with dust, a gauze effect giving everything a pleasant glow, even on the faded things of the past.

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Dorosoto :: Liquid Coast EP (Self Released)

Reviews 08/13/2024 by Justin Patrick Moore

This is music for beachcombing as the coastline gradually recedes and our cities and towns join the life of the sea. A sonar blast that […]

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OISATSANA :: Final Form (Evel)

Reviews 08/13/2024 by Pietro Da Sacco

Final Form is the realization of OISATSANA’s gently crumpled soundscapes, accompanied by the granular crunch of electrical signals glitching in tandem.

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Sophia :: The Age Of The Narcissist (Cyclic Law)

Reviews 08/13/2024 by Philippe Blache

More heavy and power electronics are used as main architecture, punctuated by processed acoustic elements, retro-futurist tribal drums, doom-laden organ chords, micro noises, and nihilistic vocals, wordless and narrated.

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Dalot :: Aquarium (Same Difference Music)

Reviews 08/12/2024 by Robin B. James

I am carried about on the circularly flowing strings within dim and transparent emerging elements and an odd mixture of electronic textures, granular and glitchy, and decorated with humorous abrupt collages.

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David Morley :: Fashion (De:tuned)

Reviews 08/12/2024 by Robbie Geoghegan

Organ groans call forth earthen percussion, dripping clanks and clods of drum soon shed of their organic trappings as industrial tones begin to dominate.

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