Caesura is a very listenable production, with consistent compositions and solid mastering; several familiar classical and acoustic sounds are infused all around.
Recent Posts
Yaporigami :: AE–10 EP (Adepta Editions)
On this two-tracker for Adepta Editions, Yaporigami (aka Yu Miyashita), a master sound sculptor, wraps distressed melodic landscapes with such strongly engulfing electronic structures that decompose before our very eyes.
Build Buildings :: Ecotone (laaps)
Ecotone is a beautiful, serene, delicate, and compelling soundtrack which operates a great dialogue between contemporary classical and microtonal music with an electronic edge.
Alziend Component :: Sacred Sorceress (Gladivs)
Sacred Sorceress reveals a great dose of ideas and subtle variations, navigating between pure electronic minimal abstraction, evanescent meditative flows, to more grounded monolithic rock riffs. Some spoken words and a vast array of samples are also used to reinforce the cinematic aspect and to make it more impactful.
Sombre Lux :: Raw Øblations 3: Fed to the Crows EP (Errorgrid)
Raw Øblations 3: Fed to the Crows is a short sharp shock of an EP by Sombre Lux.
Syl Kougaï :: Modular Series • Season-02 – A Journey into Organic Chaos (Episode 1) (Self Released)
Modular mayhem maestro Syl Kougaï makes a comeback with his Modular Series • Season-02 and the title of the first four episodes—A Journey into Organic Chaos—is fitting as it seamlessly takes us on a voyage through “reality-warping” soundscapes, industrial tropes, and crumpled electronic trails.
Daniel Vickers & Sergio Mariani_MRN :: New Dawn EP (Audiobulb)
Two seasoned musicians covering upper atmospheric realms offer a reassuring, charming, yet fleeting escape with New Dawn.
Tescon Pol :: The Longer Morrow (Concrete Collage)
The duo’s exceptional ability to create gritty compositions, minuscule glitch shapes, and abstract vocal data streams, all coalesce in The Longer Morrow, a potent auditory collection.
John Cage / Aaron Dilloway :: Rozart Mix (Hanson)
Radio and musique concrète go together like bread and butter. As a medium, radio is the perfect platform for playing tape that has been spliced, diced, smothered, covered, layered, reordered, disordered, composed, decomposed and recomposed. That’s what has happened here with a new version of a mid-sixties John Cage composition, Rozart Mix.