These forgotten tracks offer dark, crunchy, and cinematic structures in a mere three piece suite spanning just over five minutes.
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Eric Schlappi :: Larval Beak EP (Concrete Collage)
The sheer magnitude of Larval Beak’s roughened overflows spills over five succinct tracks, yet manages to convey a powerful sonic panoramic within a brisk 20 minutes.
ctrl+opt :: Máximo Volumen 1 EP (Self Released)
Máximo Volumen 1 elevates late night grooves for splintered wooden floorboards of abandoned warehouses—its detuned techno and rave pulse pointed directly at your feet.
Illuvia :: Earth Prism (A Strangely Isolated Place)
The energy of his breakbeat manipulations is tamed by soft billowing clouds of enveloping sound, giving us an ideal listening for anyone who misses the glory days of ‘intelligent’ drum and bass, and eventually wants to feel it in our bedroom still.
Hainbach x Nebula Instruments :: Circle of Violence EP (Self Released)
The sacrament of music is universal, presented here with no words, no specific belief system, no dogma, just a moment in time with two guys who were hanging out together in an otherwise empty church making the whole place resonate and respond with otherworldly vibrations.
tsrono :: ergodicities (Point Source Electronic Arts)
Sharp ambient whirs blend in with erratic beatwork and swaying melodic strands that bend at strange angles, while darker shadows accentuate the arrival of precisely timed and densely packed atmospheric elements.
Time Being :: Hidden Structures (Spotted Peccary Music)
What you’ve just experienced is a harmonized rendition of our universe’s untold complexities, an auditory exploration into the very fabric of existence. It’s an invitation to not merely look but to see, not just to hear but to listen, as we collectively seek to unravel the universe’s hidden structures.
Jo Johnson :: Let Go Your Fear (Castles In Space)
The merge between synthesizers and the ethereal new age do make up for an interesting combination, one that always remains comfortable throughout the album; when they’re there, the arpeggiated synths give an interesting edge to the compositions, making them a bit more corpulent.