Experimental Electronic Music
Music like this makes the difference between production and artistic creation clear: in this sense, the generative substrate underlying these tracks is a starting point, a bedrock of naturally occurring variation that nnirror cherry-picks and spotlights with arrangements pushing the limits of complexity.
Sounds puncture space, and things float to the surface. It’s just another ordinary day for being human and listening to music when the smallest detail might make the biggest waves.
If you, like me, may have been struggling to keep up with all the labels and artists you follow throughout the year, then compilations like Past/Present may come as some sort of godsend. Highlighting just about anything that Past Inside the Present have been pumping out in 2024, this compilation spans a lengthy three hours and showcases all the various shades of ambience that PITP specialize in.
Cities Last Broadcast, who is the Swedish expert of paranormal electronics, and Fractalyst, who is the Greek specialist of technical soundscapes, have created an equally disturbing and fascinating album of the finest dark ambient, after death spirits.
A successful and continuously pleasant album that pushes the senses with its serene atmosphere. Imagine an impossible meeting between Farben, Thomas Brinkmann, Purl, Mind over MIDI, Mike Slott, and Malmö; but also with an avenue to experiment within a handful of bright, flourishing and drifting ideas.
Boysen, in sum, steers these definitive high-level productions as some of the finest on the planet. Creating an engrossing auditory experience of controlled chaos, Alta Ripa transports entangled technoid versus atmospheric coordinates that simply do not hold back.
Both subtle and saturated with distilled microsound layers, Alpi Graie e Pennine is simply otherworldly and comes highly recommended.
Texture is most certainly this album’s ambassador, but it’s not just experimentation with noise. There’s a lot of subtlety and continuity, both of which make […]
Compared to Grischa Lichtenberger’s previous efforts, 1224_28_lv_1_re obliteration—released by South Korean label dingn\dents at the extreme tail end of 2024—leans even further into the digital noise side of glitch.
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