MOSS provides a gripping and thoughtful listen. Mellow, ambient, relaxing and electroacoustic—hopefully there is more to come from the Mumbai, India-based musician.
Recent Posts
V/A :: Artist Showcase – 5th Edition (Point Source Electronic Arts)
Establishing a benchmark for high-definition electronic experimentation, US-based Point Source Electronic Arts explores expansive landscapes steeped in post-industrial terrain, striking a balance between explosive glitch mechanisms and delicate atmospheric textures.
Relativity Lounge :: zero-sum EP (Satellite Trax)
Everything about this zero-sum EP radiates talent, from the grooves, to the effortlessness of the transitions, to the bangers, it’s really impressive.
Ocoeur :: Breath (n5MD)
Breath shines both as an ambient record and as a blend of both ambient and classical, not solely because of the instrumentation utilized, but also because of these really big powerful climaxes that make up for the record’s most engaging moments.
Kilometre Club :: Earnest Tub (Imaginary North)
So even though Kilometer Club is doing something new by making electronic ambience the length of something you would hear by the Minutemen or The Germs, it is still long enough at the album level to be considered long form. That’s the paradox: an epic odyssey taken in brief snapshots. There is something very earnest about this approach.
Anders Ilar :: Tallinn Acid Tracks EP (Acid Lathe)
Produced by Anders Ilar in 2015 while in Estonia, Tallinn Acid Tracks is out now via Acid Lathe—an experimental sub-label of Yard Rec—on a limited edition 4-track clear square 8” vinyl made individually on a lathe cutting machine.
Simon Pyke / Freeform :: Four Flex One EP (Self Released)
All in all, calming ambient techno mosaics and expertly crafted soundscapes flourish within Four Flex One. Simply captivating.
shuttle358 :: optimal.lp [reissue] (Keplar)
A quarter of a century on from optimal.lp’s release, then, its timelessness is still palpable, even enhanced, with the reissue’s addition of three tracks made while working on it, plus a new take on the closing “Tank” (digital only): in prepping the reissue, running one of the masters through a customized reverb unit, he began recording the outcome of this haptic past-inside-the-present dialog.