A big emotive expression, experiencing and surviving the process of painfully breaking free of the past by extreme means, somehow always staying calm and quietly passionate.
Recent Posts
Yard :: Field Recorded (Yard Rec)
At times some birds join in, overall compared to the tracks before that, I hear a softer wind sound and enjoy the sensation of extended existential ambience.
Ton Mise :: Moon Behind The Eyelids EP (Satellite Era)
An incredibly captivating extended player that reimagines electronica from a few decades ago and revitalizes it in the Roaring Twenties.
Derek Michael :: Tunnels (Detroit Underground)
An intense and heavy-hitting album that pushes the boundaries of experimental electronic music.
Hex Wolves :: High Order Ov Loud (Component)
A bewildering compilation of fifteen tracks, High Order Ov Load teeters on the brink of electronics and breakcore while remaining firmly on the dark side.
Christian Kleine :: Environmental Cure (Self Released)
Christian Kleine’s tenth album is a pleasant departure from the standard; deftly showcasing electronics of the late nineties and immersing them in an emotional and sonic instrumental stew.
Frank Riggio :: Dri (Hymen)
Developing a completely original style, the album feels cinematic and overflowing with a variety of intense field recordings and transformed found sounds.
Ian Boddy :: Modal Operandi (Quiet Details)
Modal Operandi is a fulfilling listen. Tracks bear fruit through melodic complexity and the inclusion of quiet, often minute details that can be more and more readily detected on repeat listens.
Exan :: Offset One EP (Errorgrid)
Offset One wraps things up in just over 30 minutes, yet it has enough energy to fuel an entire album.
Michael Valentine West :: comp/COMP (uvg212)
You might even draw parallels to the early works of Mouse On Mars, Autechre (“Gantz Graf” era), or even Richard Devine’s industrial-leaning sandblasted synthesizer techniques.
Synthetic Ecology 2 :: Finding the edge, some thoughts about ‘experimental music’
Experimental music can mean many things—often tracks are beat-less or off-beat, atonal or noisy, or in some way either more or less dense than other genres. My point is not to establish orthodox genre boundaries.
Recent Posts
Vaag :: Tracker Mini Works (Self Released)
Dragon :: Ouroboros (Evel)
Snack Master :: The Dreamers Of Dreams (Self Released)
2View — Jonas Munk :: True Bypass (Darla), Billow Observatory :: Resina EP (felte)
tsx x sue tompkins :: recur⁷ (farmersmanual)
![David A. Jaycock :: Children of the Cold War [Phase 7] (Subexotic)](https://igloomag.com/wp/wp-content/uploads/2026/05/david-a-jaycook-children-of-the-cold-war-ph7_feat-75x75.jpg)
David A. Jaycock :: Children of the Cold War [Phase 7] (Subexotic)
Empusae & Maris Anguis :: Onryōtan (Cryo Chamber)
Meat Beat Manifesto :: Subliminal Sandwich — The original 1996 Melody Maker review, revisited 30 years later
