The Burning Century gathers and distills, shifts and rattles, yet somehow manages to seep into the subconscious.
Author: Pietro Da Sacco
Aelk Minsur :: H EP (Self Released)
It appears that one of our favorite sonic alchemists has dived into much darker waters. Noise ambient and experimental electronics consistently intermix, yet with Aelk Minsur, there’s […]
Cuadroped :: inurmaul EP (Heterodox)
There’s a gritty and nostalgic flare surrounding inurmaul by Cuadroped; downtempo beatwork rolled up into bite size tracks ranging from 60 to 150 seconds is no ordinary feat.
User Friendly :: APF7U (Detroit Underground)
Whether APF7U is user friendly or not is debatable, nonetheless, User Friendly provides ample glitched-out and sliced’n diced electronics shifting from broken rhythmic forms to more coherent threads.
V/A :: INFOHAZARD (Renraku)
INFOHAZARD exemplifies Renraku’s vision of releasing audible tectonic plates scraping against each other like we’ve not heard before.
Le Perche Oreille :: We Are Robots (Concrete Collage)
We Are Robots provides plenty of brittle collisions and polished sonic artifacts with curious melodies and briskly shuffled rhythms…
Oberman Knocks :: Conder-Rhyptik (Aperture) — Track premiere
Ravaged clicks and mangled machinery aplenty, Conder-Rhyptik packs a baffling punch to the senses; an impenetrable sonic foray sitting comfortably on the outer edges of an expanding universe
Nike_Vomita :: TUN011 (Móatún 7)
Glitchy strands morphed with an acid tinge, electronica, techno, and heavy bass thuds, found sounds and blissful melodies swirl.
rand :: Peripherie (Self Released)
rand offers minuscule audio Polaroids where abstract pitter-patter notes glide with highly-tensioned strings vibrating in the most unusually calming tangents.
Precenphix :: Off-Axis (Not Yet Remembered)
Hinting at industrial, glitch, IDM, clicks, and disjointed cuts wrapped around technoid structures, it’s so jam-packed, that it’s a challenge to unfold each layer; this is a good thing.
Illocanblo :: Maze (Rednetic)
There are albums that build up gradually, and then there are albums that simply propel like a rocket right from the start. Maze follows the later trajectory.

















