Experimental Electronic Music
The album itself, which features a host of label regulars such as ReKaB, Chevron and Drøn to name a few, is in the most part ambient IDM with some delightful splashes of ambient techno that’s been superbly produced, and I can’t stress this enough. It sounds truly lush.
As much as an inheritor of braindance, Alako is an interpreter of the style. Nothing is overdone on this debut, instead, an equilibrium is found between frenetic noodling and subtle shifts.
P1LL5 is an extended player we’re very excited about, its musical flashbacks, and forward-thinking soundscaped orchestration is on par with the likes of Plaid, Boards of Canada, Amon Tobin, Clark, and Meat Beat Manifesto—a press-release comparison we’re in total agreement with.
Özcan Saraç creates fields of research using information processing and structures, with the purpose of questioning the human being’s relation to the universal system, logic and political mechanisms.
Neuro… No Neuro’s ruminative plateaus featured on Faces & Fragments understand the omniscience as the artistry within each track shares its lush fragmented elements absorbed in such preciously decayed increments.
The spaced-out crystalline sequences, aerial swirling sounds and imaginative body of lysergic effects guarantee an immersive but also a continuously accessible and enjoyable experience.
What we see progress across these eight live tracks captured on Boundary Object, is dynamic shifts in time signatures that bounce yet hold a glitch mentality.
TUNCD2 delves into the trenches, delivering a cross-section of form and function, displaying a variety of genres and sub-genres.
Heimferd is an overflowing sonic stream that simply pulls on the heartstrings, gently plucking away in the background, not making too much of a fuss, and containing just enough momentum and emotional fuel to keep us drawn in.
Xenophonic starts deceptively, the melancholy of its opening salvo that gives way to well-placed beats and a very human rhythm don’t prepare me for what lies ahead.
Blurring the transitional lines of coded linguistics and human touch, these outputs are sincere, colorful, and at times, thought provoking.
