Experimental Electronic Music
Francis Gri is the kind of sound artist whose work deserves to be discovered by a wider audience of ambient enthusiasts, seekers of tranquility, and those drawn to introspective, quiet moments at home. Much like an old friend, Bruma’s music offers comfort and solace, gently accompanying you through times of grief and personal reflection.
Meditations on Forgetting offers expansive, sorrowful ambient landscapes filled with granular noises, fluid droning electric tones, and synthetic oceanic waves.
Son of Alan Erasmus—Factory Records co-founder—Giulio carries forward a legacy of boundary-pushing sound, drawing deep inspiration from the raw energy of early ’80s UK counterculture and the immersive spirit of sound-system culture, blending both in a uniquely modern way.
Solar blends characteristic brittle electronic textures with smooth, precisely crafted structures and tightly wound glitch elements.
There’s a meditative quality to Mind Fog, but not in a way that lulls you to sleep—more like guiding you through a lucid dream where each track is a different room in a strange, beautiful house.
Feedback loops emergent from tape recorder interactions served as a guiding principle, indeterminacy notwithstanding, fostering infusion of a certain fragile sensibility.
The Seven Planes of Dreams draws from a lot of different sources, such as the esoteric idea of five levels of consciousness, the scientific view of different phases of sleep, elements of our daily lives mingling with messages from our subconscious mind and with impressions received from books, or movies, from pictures and also other music.
Forgotten Worlds lives up to its name, blending the rich, hidden depths of synthesizers with the extraordinary realms they conjure. It beckons us to explore the enigmatic, untamed heartbeat of existence itself. With layers of complexity and an all-encompassing energy, these Forgotten Worlds are treasures meant to be rediscovered, time and time again.
Less than a year after TON, a two-hour-and-a-half glitch mammoth that made it into Igloo’s Best of 2024 round-up, Özcan Saraç is back on Evel with Neural Generators of the Auditory Brainstem Response—and if TON already seemed daunting for its lengths and experimentation, Saraç’s seventh album ups the ante, clocking over 330 minutes divided into twenty-five movements.
At times, the sound feels almost mechanical—like a dishwasher trying to interpret a broken InSinkErator’s message—as grinding microscopic clicks and bleeps collide within their own labyrinth before retreating into four states of shattered stillness.
