Experimental Electronic Music
Mechanical soundscapes surge through Interlinked, a five-piece set by Dragon that offers little in liner note detail, channeling attention instead toward exacting design, brittle glitch-industrial grit, and rhythmic frameworks that pivot and pulse across layered, chiseled beats.
Thresholds is an album that stays with you. It subtly alters the way you listen. It opens a door into a liminal space where sound becomes memory, and memory becomes atmosphere. In doing so, Andrew Anderson has created a work that is both deeply personal and universally evocative, a rare and rewarding listening experience.
Euan grew up in a mostly quiet, non-musical household where records were scarce and music lived mainly in car rides soundtracked by Fleetwood Mac and Whitney Houston—until a childhood Walkman and Lionel Richie cassette sparked a lifelong, deeply personal connection to sound.
This new project follows a stylistic inclination inspired by primordial resonances and natural manifestations from peripheral zones deserted by humanity.
Lo Recordings proves once more its ability to extend the field of modern-day electronic experimentation, always bringing to the fore a community of talented sound artists with broader visions in terms of musical language.
Late 2025 marked the arrival of Plateau, introduced as an EP surging across six abstract, timbre-rich sound sculptures. A few months on, a set of bonus treats emerges—four new pieces extending that journey along a brisk, polished braindance continuum.
In a year already rich with strong releases, Serge Works stands out for its clarity of vision and depth of execution. It rewards patience, revealing new details with each listen, and invites the listener into a space where time, texture, and tone intertwine. Whether experienced as a technical showcase, a tribute to lineage, or simply as a series of immersive sound journeys, it resonates on multiple levels.
Empty Halls is a longer meditation, generating a haunting atmosphere that invites the listener to become lost inside its unfolding darkness. In this way, it can also provide peace and comfort in the darkness of wintertime.
Moho Abyss is quite distant from Bianchi’s recent classics in darkly meditative, blurred-out melodic ambient, and instead targets its sound exploration toward spectrality, blooming cybernetic resonances, and hypno-ish synthesized pulses.
At once conceptual and profoundly sentient, Notes de saisons guides the listener through a somber canopy (flowing, blurry textures and windy chimes, distant echoing voices and detached notes), occasionally punctuated by fragile and ethereal light (designed through sinuous, melodious timbres and repetitive acoustic microtonal patterns).
Released by 13/Silentes in a double limited vinyl edition, An Apple a Day You Die Anyway confirms the quality of a catalog that continues to intercept the most sensitive areas of Italian ambient and electronic research. And it confirms that Up To 23, now a trio, possesses a recognizable voice, capable of holding together vision and rigor, emotion and structure, darkness and momentum.
![Dragon :: Interlinked EP (Ryu) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/04/dragon-interlinked_feat-75x75.jpg)
