Experimental Electronic Music
Moonshadows is dedicated to the most impressionistic, oceanic-tinged, and neoclassical dimension of his music. The pieces are built around the piano’s delicate, gently moving, semi-improvised detached melodies. Repetition, stillness, and peacefulness form a body of feelings.
Ritual Fever dives deeply into ritualistic influences; both the vocals, reminiscent of chants and mantras, and the earth-rattling sustained drones help send the listener into a trance, as if they were lying down in the middle of a field, waiting to ascend into a higher world.
Beyond Fine Lines belongs to that line of works that ask for trust. It should be received in half light, at the right volume, allowing the frequencies to work upon the body. Its intensity grows through sedimentation. Each listening opens new folds: a frequency that first escaped notice, a held breath, a sudden accent, a harmonic current crossing the sound field like an omen.
The songs flow right into each other and are only composed of what seems to be a few layers each, but there is a fond fuzziness to them, that glistens like the light reflected off the water. There is a slight melancholy tinge to the music, but it’s not overpowering.
Despite a multiplicity of aggregated elements and cascading effects, the general mood of Sculptures in Time remains cohesive and mysteriously flowing, with deeply transportive sequences working as an evocative mind trip.
Sprung from a blend of improvisation and composition based on minimalism and depth of (sound)field, his latest, Juxtaposed, is the fourth in a recently inaugurated series of audio works on DƎЯRDE—more experimental, electro-acoustic and cross-genre side-label of Dronarivm and Fonodroom.
In these two deeply moving releases, Yann Novak and David Vélez transform personal grief into acts of listening, remembrance, and meaning-making.
Marconi Union seems to have removed weight from everything, allowing only the emotional core of the materials to filter through: soft drones, slowly shifting harmonies, reverbs opening like irises, barely hinted pulses, melodic glimmers that surface and dissolve within the same breath.
A decade and a half hiatus since his last (Awash, 2012) brings new skin for the old ceremony with True Bypass on familiar ground yet with a sense of refresh.
Like Manual, Billow Observatory purveys work of delicacy and poise, and Resina is never less than engaging, frequently compelling.
Empusae and Maris Anguis have crafted a fantastic album that rewards repeated listening and offers a welcome step toward a more spiritual and cultural focus for their label Cryo Chamber.
Frisson is proof that Collingburn’s years in the club scene weren’t wasted. He knows how to build tension, how to pace a track, how to let moments breathe. But he also knows when to pull back, when to let the ambient drift take over. For an artist who’s spent nearly two decades navigating the underground dance world and another stretch exploring pure ambient, Frisson feels like the convergence of both.
