Experimental Electronic Music
This is music made with total creative freedom, by a group perpetually evolving. Rather than repeat themselves, A-Sun Amissa continue to carve out their own shadowy corner of the experimental world—one where dread becomes catharsis, and ruin gives way to reverie.
Such an exploration might seem at first more fitted to harsh noise or the post-industrial genres, but the sounds here are lush and radiant, calming, relaxed. There is the pungent fragrance of death present, but it isn’t cloying, but something familiar and comforting.
What results is not merely sound but a howl—a raw, unfiltered transmission from the fault lines of civilization. Brutal, surreal, and resolutely unpolished, this is music as witness, as offering, as rupture.
Their approaches, methods, and sound signatures are relatively aligned, revolving around microtonality and meditative spiritual stillness. Such a creative dialogue can only be harmonious, guided by an imaginative force that invites the listener on a mental journey elsewhere.
The nine tracks of Death Mask fall into techno. However, such labelling does this record a disservice. Richard Fearless is pushing the limitations of the genre and forging new paths within the sound. His ability, and years of experience, come to the fore as new audio explorations are charted.
Monologue Intérieur takes a more intimate, solitary path—rooted in daily life, field recordings, and almost post-Cage-like sparse and fragile piano sequences.
These are soundtracks for forgotten horizons—the kind viewed distinctly on the project’s cover—where each composition unfolds in barren sequences of industrial hum, muffled turbulence, distant resonance, and vast auditory plateaus that seem to stretch without end.
A culmination of everything Day Before Us has cultivated over the past decade, while venturing into even more radiant, immersive terrain. For listeners willing to let go and drift in its pull, Dim Shores of Eternity is one of the most beautiful and haunting releases of the year—a spiritual monument built from silence, sorrow, and sublime sound.
A mesmerizing confluence of sound and vision, where gravity meets cosmic dust—a terrestrial transmission in orbit, beautiful and hypnotic.
An ambitious and quietly dazzling release, this is ambient music as architecture: expansive, intimate, and brimming with quiet wonder. A standout of 2025, and a testament to two artists in rare alignment.
Roddy masterfully transforms the raw resonance of guitar tones into immersive, slow-burning compositions—each piece a dense, evolving landscape that pulses with power and originality.
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