VSESLAV (aka Stanislav Sevostyanikhin) masterfully weaves shimmering layers of ambient textures and flowing synthesizer currents on Dryoma to craft immersive sonic relics that transcend conventional notions of time and dimension.
Tag: Drone
Imprints :: Blood Moon (Data Discs)
The new Imprints album, titled Blood Moon—debuting on Data Discs—is a spellbinding passage through ambient and electroacoustic soundscapes, blending reimagined motifs with original compositions inspired by The Legend of Zelda: Breath of the Wild.
Ayami Suzuki :: Rebirth/Omen (Cloudchamber)
Recorded in live conditions Rebirth/Omen is an intricate and captivating abstract and darkly meditative release with some liturgical and spiritually-everlasting properties.
4T Thieves :: The Golden Age (Rednetic)
Like light refracting through timeworn glass, The Golden Age flickers between eras, drawing us in with delicate tones and elemental textures. It is a melodic tapestry of memory, a gentle parting from a cherished land, and a luminous haven sculpted in sound.
Tomosla :: Dunestal (Mahorka)
Dunestal flows smoothly, offering a serene, meditative journey with delicate, swelling moments—perfect for fans of ambient day-dream travels and tranquility.
The Fun Years :: Baby, It’s Cold Inside [2025 remaster] (Keplar)
Baby, It’s Cold Outside may be seen alongside other KeplarRev reclaims (e.g. optimal lp, Herbstlaub) as unearthed ambient-electronica treasure, or a cold case re-warmed by fresh investigation; and what still distinguishes it 15+ years on is that it not only raises the ghost in the machine, but elevates it above.
Interlude #1 :: Karen Vogt
Four quite open and complex questions are the starting point for the creation of a rather personal guest mix that blends sound, imagination and memory. This new series is curated by sound artist and music producer Maria Papadomanolaki also known as Dalot for Igloo Magazine. Interlude focuses on female artists and aspires to highlight how exceptional, skillfully crafted and varied the responses can be. Interlude #1 :: Karen Vogt
Edmondo Riccardo Annoni :: La grotta è aperta (ROHS!)
An album conceived as if it were played by a bodiless orchestra, where resonances, feedback, Tibetan bells, synths, and trumpet come together in an electro-acoustic tone guided only by the intent with which it was created.
Alessandro Barbanera :: In Darkness Let Me Dwell (Owl Totem)
An epic imaginary soundtrack for a fanciful film noir. In a dreamlike and nocturnal atmosphere, filled with rain and decaying sounds, In Darkness Let Me Dwell—available on Owl Totem, a “dark vibes” division of Dronarivm Records—deconstructs, reworks and wants to pay homage to the imagery and clichés of cinema noir.
Fields We Found :: Resolve / Relate 01 (quiet details)
This sonic exploration series is the product of many durational and deep-listening sessions, unfolding gradually over time and in constant flux, texturally and spatially3made to take your time with and see how your experience shifts across multiple listens.
Steve Roach :: The Reverent Sky (Projekt)
The Reverent Sky reaffirms Roach’s status as (inter-)stellar sonic explorer, layering various strands of his stylistic armory into a mesmeric tableau of oneiric ambience offset with a timeless pulse.









![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)







