Experimental Electronic Music
Inspired by William Gibson’s 2014 novel The Periphery, Weldroid (aka Tamas Zsiros) settles into shadowed corridors of industrial IDM on The Peripheral (2026), where soundtrack fragments hum with minimal light, yet rhythms grind, shift, scrape, and collide.
Once voiced by Mason, water becomes both storyteller and observer—flowing through calm, chaos, evaporation, and return. Around this, A-Sun Amissa builds a rich soundscape using drone, classical instruments, processed guitars, synthesizers, and subtle samples.
Thresholds is an album that stays with you. It subtly alters the way you listen. It opens a door into a liminal space where sound becomes memory, and memory becomes atmosphere. In doing so, Andrew Anderson has created a work that is both deeply personal and universally evocative, a rare and rewarding listening experience.
This new project follows a stylistic inclination inspired by primordial resonances and natural manifestations from peripheral zones deserted by humanity.
Taken together, Tomoroh Morning – A Tribute to Tomoroh Hidari stands as a vivid document—one that reflects each contributor’s voice while honoring an artist who cultivated wide connections yet kept creative paths distinct. As noted in accompanying liner notes: “There will always be a tomorrow morning.”
Released by 13/Silentes in a double limited vinyl edition, An Apple a Day You Die Anyway confirms the quality of a catalog that continues to intercept the most sensitive areas of Italian ambient and electronic research. And it confirms that Up To 23, now a trio, possesses a recognizable voice, capable of holding together vision and rigor, emotion and structure, darkness and momentum.
If you are seeking background music to accompany a descent into a post-apocalyptic, neo-mythological literary universe—something akin to the worlds of Lord Dunsany, Arthur Machen, or Abraham Merritt—Enter the Nuummite Cosmos is particularly well suited.
Drifting deeper into ambient sound fields, UK-based Will Brazier-Smith, recording as Xurba, traces hauntological contours across Zelun Somniates, a sequence of ten pieces shaped from slow-moving undercurrents
Across Creature Comforts and Why I Went To The Woods, 400 Lonely Things turns grief, memory, and quiet hope into two deeply human soundworlds that linger long after the final note fades.
Substak returns with Abrasive Deluge, a stark and immersive dive into eroded ambient textures and haunted sonic debris.
On Lumen, Chris Russell trades the shadowed tones of Noir (Projekt, 2024) for radiant piano-laced atmospheres that echo his debut Labyrinth on Spotted Peccary Music, crafting eight luminous soundscapes that feel like stepping through a veil into widening light.
![[2View] Koho / Koskenlahti, Mark Reid Bulatović & Simone Spampinato / Fredrik Rasten (Isthmus)](https://igloomag.com/wp/wp-content/uploads/2026/08/koho-kos-mark-reid-2view_feat-75x75.jpg)
