Five musicians at the top of their craft, creating the most blistered and fractured electro-nics this side of the Galaxy as Almost Everywhere provides the latest in their quest to dominate the low-end frequency spectrum.
Recent Posts
Peltiform :: FUTURISM (Section 27)
The raw energy and dynamism of modern technology simply becomes tangible as each audible slice explores the farthest reaches of sandblasted electronics.
Flavia Massimo :: Glitch (Audiobulb)
What I like best about this album is that the stories told are all about texture and emotion, sometimes dark and powerful, sometimes delicate yet commanding…
Simon James :: Electronic Breeze (Lo Recordings)
…helping the listener to disconnect from the constant noise in modern life and take solace in the space between—especially with both tracks coming in at over 30 minutes.
Mr. Projectile :: Slow Motion Hailstorm (La Luna / Wex)
Matthew Arnold’s sound has changed since his Toytronic days, although not drastically. The tender melodies of the past remain, the lightness of touch, with innovations in musical design…
Retic :: mind blind found sound (Self Released)
Reminding us of earlier times when artists like Arovane, Phonem, Lackluster (et al) crafted delicately woven and fresh electronics, Retic traverses familiar sonic terrain.
Parallel Worlds :: Dark Energy (Móatún 7)
Minuscule tones and drones float effortlessly as each piece (over 10 minutes) emits an aura that transcends time; easing the listener carefully into its calming nature.
Mono Junk :: Iäti (Cold Blow)
Electro and techno are at the EP’s heart, yet there are also flourishes of electronica embedded alongside the use of voice.