Experimental Electronic Music
Meet Ben Evans, the pioneering futuristic electro-funk artist, DJ, and record producer from Leeds, UK, known by his pseudonym, The Droid. He’s a visionary at the forefront of the future, infusing his remarkable discography with captivating and futuristic electro.
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide spectrum of sound (and vision). This week: Herbie Hancock, Pentagrams Of Discordia, Robert Palmer, The System, and Time Rival.
It comes but once a year, WE FORFEIT’s top tracks of 2022. Tough year, seems to be the mantra of life there days. Nevertheless, the lads bury the spike of reality with a selection of nourishing sounds that guarantee to warm away the horrors staring back at you.
Since his first releases in the late 1990s, he’s always made music that bears a resemblance to his peers while being wholly unique.
It’s an EP that showcases Rùnars’ skill at building compelling sonic pictures within a specific set of tools and comes highly recommended.
This mysteriously cinematic ambient body of slowly moving pieces is mentally transportive and representative of a contemplative journey in unknown vastness and in the depth of the subconsciousness.
With its incantatory tranced-out noisy percolations and moody-esque pulsating minimalism, this album has something majestic and hypnotic which claims to reach the dark arcana of some paranormal regions.
The album’s almost cyber-punk and relentlessly austere energy also veers into musical territory inhabited by Ghostly International-signed acts.
Where earlier notable artists such as Funckarma, Funkstörung, Gescom, and Proem are touching points, Suumhow successfully shape their sound as the new benchmark connecting them together.
Meet Mike Griffin, the sonic wizard behind Energy No. 13, hailing from the dynamic music scene of South Florida. With roots deeply entrenched in the world of rock and metal, he made a thrilling transition into the electronic music realm during the mid-1990s…
Listening to Stasis’ output from the 1990s, Quondam Sequences inhabits a different space. The earthy tones that characterize Pickton’s sound are present, but they are not central. Instead, this three tracker explores a shifting focus where new ideas and instruments begin to merge.
![Weldroid :: The Peripheral (2026) (Self Released) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/04/weldroid-the-peripheral_feat-75x75.jpg)
![Boards of Canada :: Inferno (Warp) — [Hypothesis]](https://igloomag.com/wp/wp-content/uploads/2026/04/boards-of-canada-inferno-hexagon_feat-75x75.jpg)
