Il Quadro di Troisi :: Remixes (Raster)

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The album sounds like an enlargement of the sounds and spaces of their first album, an​ exploration shared by artists and friends who gravitate around this delightful musical project.

Il Quadro di Troisi is a project by Eva Geist and Donato Dozzy, born out of the correspondence​ between the two artists about the late actor and director Massimo Troisi. This exchange soon​ became an inspiring source of​ identification that intertwined with the project, whose lyrics are​ sensitive and multifaceted, fit perfectly with the musical phrases and flow like a film monologue​ from Troisi​’s own work.​

Their self-titled debut LP (released in October 2020 as collaboration between the Raster label and​ Terraforma Festival) is a colorful ode to a fragrant Italian vision, brimming with detail and deep​ intensity. In 2023 the former​ duo officially became a trio with the permanent entry of Pietro Micioni,​ and in October of the same year they released ​Remixes; on Raster. Il Quadro di Troisi’s Remixes​ album, is the follow up to their debut release from 2020—an eclectic collection of reinterpretations​ of eight of the group’s tracks produced by Atom™, Dasha Rush, Front de Cadeaux, Il Quadro di​ Troisi, Chloé, Baldelli & Dionigi, Toulouse Low Trax, and Tropicantesimo.

By inviting fellow label artists as well as friends and long-term collaborators to contribute to this,​ Remixes shows a broad spectrum of diversity, ranging from colorful, loop-based renditions by​ Toulouse Low Trax and Tropicantesimo, to (Italo) disco-inspired versions by Daniele Baldelli & Marco Dionigi and Chloé, to more rhythmical and functional tracks by Atom™, Dasha Rush and​ Front de Cadeaux. The album also includes a dub-infused reinterpretation of “Il giudizio” by the​ artists themselves. The record’s artwork was contributed by Spanish graphic designer Alicia​ Carrera.

Even though I almost lost the habit of listening to a whole album of remixes as it has been a choice undertaken by fewer and fewer artists in recent years, and has been very hard to​ find a proper listening ear. If in the era​ of Spotify the practice of remixing songs is commonplace, in​ any case the choice artist of The Picture of Troisi proves to be apt for some simple reasons, never​ banal. The album sounds like an enlargement of the sounds and spaces of their first album, an​ exploration shared by artists and friends who gravitate around this delightful musical project. As we​ write their second official album (La Commedia) is already out, but with a handful of songs, the guys managed to​ create a small sonic universe that feeds on the influences of the individual components, crafting​ then, a real journey, where the only thing needed—via our listening practice—is letting go of as​ much as possible.

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