Tom Hall presents Trip Computer album launch—a powerful new audiovisual performance marking two decades of exploration in experimental sound, systems, and synthesis. Featuring special guests r beny, Testu Collective, Amma Ateria, and Sharkiface, this event brought together boundary-pushing artists for an immersive night of sonic and visual experimentation.
Tag: Glitch
Hasbeen :: HAVOC INTVL (Clean Error) — [concise]
Hasbeen’s HAVOC INTVL, released with Clean Error in July 2025, dives into glitchy braindance with shimmering bleeps and fragmented pulses. Each track unfolds as a distinct, cryptic phase, blending mechanized dissonance and delicate melodies into a cohesive, abstract sonic journey.
Sundetone :: Aa (Tokinogake) — [concise]
This uneasy passage through shadow takes gentle hold, offering no easy reassurance. Soft bells, stretched synths, and sandblasted glitch flicker in and out—never quite defined, but carrying a fragile pulse that holds fleeting moments together.
cable.percussion :: Bleach EP (People Can Listen) — [concise]
Johnny McDowell’s cable.percussion delivers a vivid array of sculpted breakbeats and weathered braindance textures on Bleach, a six-track collection where glitch flickers at the periphery and emotional resonance surfaces from the very first moments.
Latchwork :: contrakilter (Schematic)
While modest in duration, these pieces are densely packed with intricately programmed electro, broken rhythms, braindance flourishes, and warped modular sequences that shift shape as quickly as they emerge.
Pan American & Kramer :: Interior of an Edifice Under the Sea (Shimmy-Disc)
This is one of those zero-word albums made by two guys steeped in the tradition of post-rock experimental ambient, now translating it through slow fretboard rendered textures that evaporate the guitar tone to evanescent foggy residue, perfect for hazy afternoon and late night reveries.
Andrey Rasputin :: RELIKT-1 (Mestnost)
Downtempo currents rise and recede, while fractured synth odysseys hold everything in a gravity of their own. It’s future-facing, deeply textural electronic music—crafted by a multidimensional talent—and a work that resists erosion.
Factsimile :: Its all in the facts (Neo Ouija)
Life scatters its milestones unevenly—some slip into obscurity, while others remain etched in the mind, vivid despite their distance. These rare memories, intimate and haunting, reawaken with uncanny clarity when immersed in soundscapes like those crafted by Factsimile.
Peltiform:: TRIPTYCHS (Section 27)
Poised between sci-fi drift and ambient disintegration, this collection stands as a sleek, introspective traverse—shaped by three luminaries of experimental electronic art.
Blackploid :: Cosmic Drama (Central Processing Unit) — [concise]
Cosmic Drama doesn’t look back; it projects forward—an evocative transmission from the next frontier of electronic sound.
Red Stars Over Tokyo : Subliminal Fascination (Limbic Resonance)
This isn’t merely a revisit; it’s an expansive, almost archaeological excavation of space-popbient — a sound meticulously crafted from blissfully bright, drifting bleeps and a pervasive sense of dreamery, all sustained in places with exquisite slow motion.









![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)







