Jordan Schmelzer’s debut as Dead Edit, Signal Loss, plunges deep into the industrial undercurrents of IDM, where fractured rhythms, mechanical weight, and ambient collage converge in a dense assemblage of broken beats and digital decay.
Tag: Glitch
Anorak :: Convolve EP (Defunkt)
This is music pushing impetus and intention to the extreme, gluing together gorilla-XX fury, experimentation and possibility at the very tip of collapsibility and ruin, remaining just faithful enough to sanity to preserve its musical heart.
Autechre :: Live @ Cabaret Aléatoire, Marseille (Oct 13, 2026)
A disorienting, sometimes brutal experience that demanded we surrender to the music, accepting the limits of our own bodies and senses, resulting in a concert that fully lived up to Autechre’s glorious reputation. Article by: Christopher Mathieu and Georges White
Markus Mehr :: WATERSHED EP (Hidden Shoal)
In WATERSHED, Markus Mehr transforms recordings from the early days of Russia’s invasion of Ukraine into an unsettling meditation on war, distance, and the responsibility of listening when looking away is always an option.
Trudi Veremu :: Modulisme Session 145 (Modulisme)
Trudi Veremu turns the vintage EMS VCS4 into a voice of her own, blending freeform vocals, experimental electronics, and diasporic memory into an intimate exploration of sound, identity, and the unpredictable relationship between artist and instrument.
Ignatius :: Noxi Melank (Evel)
Rather than resolving its strange machinery, Noxi Melank leaves it in motion—a collection of damaged systems, unstable rhythms, and modular forms continually finding new ways to become something else.
[2View] Maps and Diagrams’ beneath still stars (handstitched*) & returning light (Home Normal)
Two decades removed from the clockwork IDM of Polytuft-Tech, Tim Martin’s returning light (Home Normal) and beneath still stars (handstitched*) find him stripping everything back to drift, texture, and quietly resonant melody, resulting in two companion albums that feel less like separate releases than different sides of the same long, unhurried thought.
Elika Ostrov :: God Is Everything You Are Not (Fort Evil Fruit)
God Is Everything You Are Not is built from voice, MicroKORG synthesis, a microphonic soundbox from LeafAudio, and field recordings. Seven pieces, just under 36 minutes. The release notes describe grief approached as passage rather than narrative, and that framing holds, this record puts you inside the duration of something rather than telling you it happened.
Marco Simioni :: wave_function (Evel)
wave_function ultimately displays an artist working in top form, mapping out a series of experimental electronic terrains that converge into something uniformly disjointed, immersive, and quietly mind-bending.
Anushka Chkheidze + Robert Lippok :: The Sky Was Out of Tune (Morr Music)
Natural recordings, soft rhythms, distortion, metallic noises, melody, and digital artifacts continually lean against one another without settling. By the end it feels less like eight compositions and more like half an hour spent inside a system that was continuously adjusting itself while you were listening, and never quite finished.
Fallen :: Stars are Crashing, Homes are Burning… (Touched Music)
Bracaloni’s latest traverse moves through warm, spacious soundscapes built for getting lost within, where atmosphere lingers long after each piece fades.

















