Lost Hope Society doesn’t deal in easy optimism. Instead, it locates hope as a kind of underlying signal—constant, even when masked by noise. Like Midsommar, it uses brightness to reveal shadow, and in doing so, turns discomfort into clarity.
Tag: Glitch
F~M :: Fose (Old Technology) — [concise]
Two of my favorite sonic sculptors converge as F~M, alias of Roel Funcken and Jeroen Bax (aka exm), shaping Fose into four extended chapters that warp and reassemble rhythmic glitch fragments, threaded with fluid collisions of bass pressure, flickering bleeps, and meticulous sound design.
iNFO :: Sorry I Didn’t Realize (Touched Music)
The resulting experience of Sorry I Didn’t Realize feels untethered from trends or nostalgia bait, instead standing defiantly above contemporaries as both tribute and evolution — easily deserving placement near summit of any Best of 2026 conversation.
Janus Rasmussen :: INERT (Embassy One)
Rasmussen incorporates his own vocals more than ever, weaving them seamlessly into intricate electronic textures as he expands his sound into new territory while retaining the subtle restraint that has defined his work.
Neuro… No Neuro :: MemLoss (Audiobulb)
Markarian has a unique process here and MemLoss conveys a unique ambience that is centered on leaving you in a daze. This isn’t abstract sound art for its own sake, it’s documentation of confusion, of forgetting, of grasping for something that’s no longer there. MemLoss doesn’t need to justify itself. It just is.
Özcan Saraç :: OS ZA CR AA NC (Evel)
OS ZA CR AA NC stands as an immense body of experimental electronic excavation — a sprawling surge of shattered atmospheres, industrial IDM pressure, broken-beat deconstruction, and invasive sound design that engulfs senses without pause.
SKSSS :: Exploraciones al Vacio (Aerial Sound)
Exploraciones Al Vacio works because it refuses to play nice. The field recordings, the layered textures, the deliberate pacing, it all adds up to something that feels purposeful rather than indulgent.
WONKS :: Shadow Tactics EP (Zoitrax)
Shadow Tactics maintains a focus on structure and texture—beats splinter, surfaces scrape, and each element is placed with intent. It’s a concise study in mechanical detail and broken rhythm, placing WONKS in conversation with artists like Richard Devine, Funckarma, Hecq, and Funkstörung.
Octavcat :: Ailurophobia (VLSI)
Octavat balances playful experimentation with precise execution, offering moments of introspection, energy, and pure groove. Ailurophobia is a fecund, joyous exploration of rhythm, texture, and mood—an electronic album that delights in detail, danceability, and inventive sound design.
V/A :: Unit Shifter Compilation 2 (Unit Shifter)
Unit Shifter has been quietly building a catalog that spans the breadth of contemporary electronic music, and Compilation 2 is a strong showcase of that vision. For a label ten years in, this is exactly the kind of release that reinforces their place in the scene, varied, charitable, and committed to curating music that actually takes you somewhere.
Icky Reels :: DL Poisons (Self Released)
The downtempo chug is still there, but it’s been processed through decades of IDM evolution, filtered through the same sensibility that informed Beans’ abstract hip-hop work and Schematic’s experimental roster. DL Poisons’ unsettling in the way that the best experimental electronic music should be, familiar enough to feel grounded, strange enough to keep you off balance.









![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)







