Two albums, two deeply immersive worlds, where restraint, process, and patience become the most powerful instruments of all.
Tag: Glitch
Lumtz :: Tesoros (We All Speak In Poems)
For an artist whose work is rooted in the landscapes and quiet moments of Patagonia, Tesoros is Lumtz at his most personal and his most generous—sharing an archive of walks, notes, and small musical experiments as if handing you his journals and saying, here, take a look. Most listeners will find something in it. The ones who slow down enough will find quite a lot.
Jérôme Chassagnard :: Hora Fugit (Hymen)
Piercing electronics and cinematic sonic extensions are folded into colossal forms across Jérôme Chassagnard’s Hora Fugit, an 11-track suite that constantly contracts and expands.
In Rotation :: The May–July 2026 Dispatch
In Rotation across the past several weeks and months, this multi-view column surveys a shifting electronic landscape shaped by bold and forward-thinking artists. Expect fractured rhythms, glitch aesthetics, abstract experimentation, mechanical precision, industrial pressure, melodic detours, and bass-heavy electro transmissions from Alavux, Annie Hall, Delta Division, Koloah, Low Battery Orchestra, Modul, neuroboy, Nocto, R.I.O.T, Trofusin, and Voltaire.
The Field :: Now You Exist (Studio Barnhus)
Now You Exist gives me hope that maybe 2018 was not the last time we heard from The Field, because perhaps 2026 won’t be either. In all seriousness, this seems to be a proper comeback in a year of proper comebacks. This EP will not disappoint any longtime fan, but maybe it’s only the beginning of a new era for Willner, who hopefully hasn’t run out of ink—or MIDI tracks.
Foel :: Gwasgaru (Machine)
Knowing what Foel built this record out of—a difficult mental health stretch, a fascination with landscapes that are beautiful and hostile in equal measure, a process built on chaos eventually resolving into order, Gwasgaru earns its title honestly.
Andrew Wood :: RadgePacketRemorse (1.44mb)
A uniquely curated collection that embraces “experimental electronic” less as a genre than as a method of investigation—rewarding passive listening, certainly, but revealing far more through careful examination. The album invites repeated immersion into everything hiding just beneath its fractured surface.
Aaron King :: Sacred Drift (Glitchpulse)
Sacred Drift is an enjoyable listen, and the clicks, reminiscent of the click-hop movement that emerged in the early 2000s from artists like Microstoria, Pimmon, and early Matmos, bring back those familiar click sounds that add curiosity to glitch textures of an ambient piece.
Tujiko Noriko :: PON (Editions Mego)
PON moves effortlessly between the childlike and the obscure, the intimate and the epic, grief and wonder. It’s an extraordinary piece of work that reveals something new each time. This is an artist fully at the height of her powers and it shows in every single track.
Building Music :: A conversation with Yu Miyashita (Yaporigami); architect of the inner world
Yu Miyashita (aka Yaporigami) approaches music as a lifelong search for structure, authenticity, and philosophical expression, balancing uncompromising artistic vision with an openness to reinvention that has defined every stage of his creative journey.
Billion One :: Hi Cozy Paradise (Woodland Creatures)
Such a fitting title for Billion One’s latest on Woodland Creatures’ Biome series—every release connected to one of Earth’s distinct bioregions and ecosystems. These sonic windows shift with every listen, drifting and cascading with restless energy, layered vocal manipulations, and deeply infectious grooves.
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