Experimental Electronic Music
We can imagine the beauty of sound emanating from the Ronroco and its calming cascade, maybe because of the smaller sound particles that manage to make their way through the mist and delicately slide down jagged mountainside slopes as depicted by the cover artwork.
The epitome of abstract electronics, capturing a multitude of sci-fi concepts skillfully weaved into a singular, musical tapestry.
“A mosaic of the human experience,” indeed, Carbon Based Shrine is a somber, illbient-tinged, and introspectively dark soundscape with sporadic bursts of lighter parts piercing through the ashes.
Malasomma (also known as Marco Malasomma) produces a soundtrack for this language; featuring skewed audio worlds that ebb and flow, occasionally delivering noisier constructs to heighten the tension.
The degree of abstraction in ±vMcÇ’s work is astounding. Warped glitches and breaks splatter across the terrain, gathering heavily processed found sounds, braindance components, and arcane rhythms into a disorganized muddle.
Aelk Minsur constantly mines for intensely textured industrial and electronic soundscapes, and he succeeds once more with MΩ Test Report.
The whole collection is a sharp and perplexing journey across experimental terrain that’s a step ahead of itself.
Errorgrid, who keep putting out darker sounds of the present future, opens UK-based Nigel Truswell’s account under his Oberman Knocks moniker. Khaptop Arc Phore then takes the imprints theme a step further with a four-track blackened IDM flood of distilled soundscapes.
Seven years after its initial release, and the skilled sound sculptor returns with a revived and impacting EP.
